Friday, 25 July 2008

WALL-E's Electroshock Robot Programming and Tim Burton finds his Alice in Oz

Note Masonic black/white on WALL-E's arms.

Saw WALL-E in the cinema yesterday with my young brothers and it had some interesting mind control themes, obviously mainly involving programmed robots. A quite sad scene occurs at the end where Wall-E goes through significant trauma (squashed by some big thing I don't remember exactly what it was), the sun's light is used on his solar panels to recharge him (the screen is cracked/fractured symbolising the break in his mind), then he wakes up with no personality, he forgets that he lives in this shack and starts turning his own personal stuff into cubes, they do a particular good job in portraying his eyes as completely lifeless when he awakens without his personality (only able to do what he was originally programmed to do, make cubes).

Also of note is the Auto pilot of the ship (where all the humans are 100% brainwashed fatties and do exactly what the invasive advertising tells them to do... wow that isn't a metaphor for reality is it) called Auto (voiced by the Apple "MacInTalk" according to wiki) who has a tazer/cattle prod as its weapon and WALL-E is shocked a number of times, and Auto has one of those ominous "red light all seeing eye" things (note the swastika-like thing in it) that is seen at the end of "The Last Enemy" (seen at the end of these last 10 mins) and other things. Auto's primary directive is A113 (noted a lot of mind control/occult numerology in the movie, some 69's and whatnot) which is to not allow the ship back to Earth, no matter what. To illustrate this electro-shock mind control programming in WALL-E, at the end of the film (mentioned earlier) when he loses his personality through trauma, it is restored through an electrical spark/discharge (from EVE's touch) which triggers his old personality back into being and it all ends "happily ever after". Also of note, WALL-E gains his emotions through watching Hello, Dolly! over and over (like MK victims are forced to watch Oz and such over and over). Another interesting part came when WALL-E was taken to a prison of sorts, which was really an insane asylum of sorts(symbolic of all the MK victims who are held in these places in reality) full of insane robots who cause chaos on the ship when they are let loose. The film contains a lot of symbolism in it (which I'd mention if I had screens), though it is not very good.

Electro-shock programming in Short Circuit and WALL-E, the robots are similar (the eyes in particular).

WALL-E's memory is whiped (compartmentalized) through electroshock trauma and then brought back through the same method (EVE kissing him creating an electrical discharge triggering the compartmentalized memory/personality back).

If I may quote Fritz Springmeier's work which desribes how children (this film is aimed at children) were programmed inside electrically charged cages (cubes). "

The primary or initial torture for many children in western U.S. was done at China Lake which officially has gone under the designations Naval Ordinance Test Station (pronounced in short as NOTS), Naval Weapons Center, NWC, Ridgecrest (the town nearby), and Inyo-kern (the area).The address of Nimitz Hospital is the code "232 Naval Air Weapons Station". The base was set up to test "new weapons".

Evidently, the Navy decided that mind controlled people were an important weapon to test. Most of the "new weapons" created at China Lake were for the most part human robots turned out in large numbers [the people WALL-E is geared primarily towards]. The Monarch Mind Control was carried out in large airplane hangers on the base which have been able to house thousands of tiny cages just large enough for human babies. Lots of 1,000 babies was a small batch.

According to people who worked in the hangers helping program, many batches were 2,000 or 3,000 babies. Many survivors remember the thousands of cages housing little children from ceiling to floor. The cages were hot wired (electrified on the ceiling, bottom and sides) so that the children who are locked inside can receive horrific electric shocks to their bodies to groom their minds to split into multiple personalities. These cages are called Woodpecker Grids.

The victim sees a flash of light when high D.C. voltage is applied. Later, this flash of light is used with hypnotic induction to make the person think they are going into another dimension when they are blasted "with high voltage. In the Peter Pan programming, the Programmers tell the slaves that this is riding the light."

One of the popular traumas after the small child has endured the Woodpecker Grid cages for days is to rape it. The rape is intentionally brutal so that it will be as traumatic as possible. Many of the technical people on the base are civilians. This is in part because part of the research involves mind-control, and Illuminati civilian mind-control experts have come and gone from the base.

The California Institute of Technology at Pasadena is intimately connected to China Lake’s research (and by the way to the Illuminati). Also much of the work at the facility is for the intelligence agencies and not the military. Intelligence assets are often civilians. One of the things developed in the California Universities and then implemented at China Lake was color programming, which will be covered later in this book.

Red and green were discovered to be the most visible colors for programming. Various colored flashing lights were used in programming at NOTS. Survivors of the programming all remember flashing lights. The use of flashing lights has been introduced into American culture by the CIA. If a person goes into bars and places where bands play, you will notice multi-colored lights flashing. The flashing lights create disassociation, especially in people who are programmed." [That's what I said!ish, this is also true of movies like WALL-E and Speed Racer which Stephen Colbert called: "It's the classic story of boy meets seizure inducing lights"]

Alice in Wonderland is Disney's Wet Dream (WD Walt Disney).
Sticking with animated movies, Tim Burton has found his Alice in Disney's live action animated version of Alice in Wonderland, and she comes from Oz (Australia). Copy and paste job from this link:

NEW YORK -- Tim Burton and Disney have found their new Alice -- not in Wonderland or down the rabbit hole but Down Under.

Australian actress Mia Wasikowska is in final negotiations to walk through the looking glass in Burton's take on Lewis Carroll's classic fantasy novel "Alice in Wonderland." The deal marks the end of a long search for the big-budget project's title character.

The film, based on a script by Linda Woolverton ("The Lion King"), will be produced by longtime Burton collaborator Richard Zanuck, former Disney chairman Joe Roth and Jennifer and Suzanne Todd. It will be shot with live-action and performance-capture footage and presented in Disney Digital 3-D. Disney creative executive Jason Reed will oversee the project, set to begin principal photography in November.

Wasikowska got her start on the Aussie series "All Saints" and is a regular on HBO's "In Treatment." She next will appear opposite Daniel Craig in Ed Zwick's war drama "Defiance" and just completed filming the role of a young Amelia Earhart fan in Mira Nair's biopic "Amelia," starring Hilary Swank.

Wasikowska is repped by Endeavor and RGM Associates.

Another quote from a Guardian article: "It's such a classic and the imagery is so surreal," Burton has said in the past. "The stories are like drugs for children. It's like, 'Whoa, man'. So I think it's an interesting challenge." Screenwriter Linda Woolverton, who previously penned The Lion King, is adapting the novel."

Of course they've turned it into some pervy comic book, Grimm Fairy Tales comic series wiki link. Which puts a new spin on it, about Alice grown up, it is described how she is always "zoning out" and such things.

Post I'm working on is still coming at some point, taken a break from it, give it another day or two.


iAdmin said...

I was forced into seeing this movie by some over enthusiastic friends. What stuck me as odd was that this was a movie for children, yet I kept hearing kids not understanding what was going on. Kid behind me kept saying "whats that", "whats going on". Anyways, I kept a keen eye out for some old fashioned Disney subliminals. The part with walle playing with a bra he found, flirted with gayness/androgyny. The most covert sexuality was during walle flying around with eve in space. Wall-e had a fire extinguisher pushing him around cause he cant fly. Wall-e was literally shooting his white 'seed' all over the place. I noticed lots of spirals, that could be read as triple '6'. That is the vibe I got off that scene, i mean it is Disney so anything is possible. Wall-e is definitely traumatized, his compartmentalized mind is shown in his organization of his "valuables". The last scene was played in the sun, zodiac deck. Definitely some superliminals since everyone couldn't stop saying eee-ve after the movie was done.
-great writeup

Michael Skaggs said...

Hey Ben! Nice work, great Alice finds my friend! Outstanding work as always, so it looks like Pixar is definitely another Disney "tool" for social engineering huh? Swell.

Time Burton's long search my ass...they were just waiting to get her programming tweaked just right for the role...wonder which Grand Damme in "Oz" did the programming and if they used a cattle prod like in Wall-E.

Nice post from Fritz' work! I was just about to do part 4 soon on the OZ programming and THEN was going to switch gears to the Alice programming! Synch wink back bro.
Which makes it painfully obvious to re-watch the Matrix which has much of the Alice triggers. Ugh.

Be well my friend!

Michael Skaggs said...


Burton has PURPLE colored shades on? Geesh. And the last pic on the Alice pervy comic book...I am sure thats probably what happens ultimately when the programming fails of maybe it's one of the alters meant to be created by the programming. Seems the adult film industry is loaded with Alice/Oz symbolisms too.

Peace bro.

Anonymous said...

Damn you people, ruining WALL-E for me!!!!!!!!!!! ;D

I admit I really liked this movie, it's too cute. The scene with WALL-E and his fire extinguisher in space, I didn't even think of the dirty double meaning behind it, that's how kind of oblivious and innocent I can be. I thought that scene was just way too cute. But now it's forever ruined. I'll never be able to see it again without thinking of WALL-E "shooting his white seed" all over the place. Damn you people!!!!!!! ;D haha ah well.

The one-eyed Auto is actually a homage to HAL in 2001: A Space Odyssey. And that's why they use the "2001" music when the ship's captain stands on his own two feet for the first time in a moment of triumph against Auto.

Even though I like the movie I still enjoy this take on it. It is Disney after all, I can't forget that, and it usually means there's going to be sexual subliminals and who knows what else mixed in. Although I disagree with the above comments about the bra. That's not about gayness or androgyny in my opinion. It's a robot who doesn't know what a bra is, and puts it over his eyes like goggles. If that doesn't make you laugh then come on. ;D That's just funny. Not every single thing is about the gay or gender bending agendas. Some things are just used for plain old humor.

And I do agree that it's actually not a movie designed for kids. From the mature environmental plot happenings to the fast pace of it all - While watching the movie I noticed how fast things move along, so fast that I myself could barely keep up. Watched it twice to get it all, but even then I probably still missed stuff. Couldn't imagine if I were say, 5-10 years old. I'd be totally confused.

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