Tuesday, 27 April 2010

Rihanna The Last Occult Programmed Rockstar On Earth

Yesterday was two years to the day that this blog first started (26th April 2008), I have bigger posts in the works but wanted to put out something quick and easy to get me back into a posting mentality.
Rihanna's live performance of 'Rockstar 101' in her Last Girl on Earth Tour was interesting in that it pretty much summarized what a 'rock star' is in the backing video with a colossal Baphomet ram skull (how is that supposed to fit into the 'the last girl on earth' narrative?) overlooking the black latex clad and gold horned mask wearing Rihanna. Up and down pointing triangles (as above so below, you get the drill) and of course what it's all really about for the marionette manipulators behind the music industry; the $$$, power and control. I realize people are probably bored shitless of Rihanna, Lady GaGa and co (I know I am, sort of) but they make it so easy. I was tempted to just post images/video with no words as it is all reasonably self-evident and I won't be retreading over the whole masks, mannequins, militarism, robots, dehumanization and other MK themes' significance throughout. I also probably did not pick up on a lot of stuff from the tour (having only seen short clips from it) and do not plan to cover the symbolism in some of her more recent videos as most stuff seems to have been well analyzed elsewhere and generally things get covered well by the likes of Vigilant and others so will not be focusing on music videos and would like to get into some posts on other things in the media.


Rihanna's mind control is shown in the tour's introductory video for the her song 'Mad House' where she is (see top video), roboticized with a metallic mask forced over her face (like porcelain mask programming) and implanted with chips for control over the now cybernetic Rihanna (plays into transhumanism too obviously, good article at VC on that here). It continues (below) with her inside one of those 'programming pods' (seen in other things I've posted on; if you think of more advanced isolation/sensory deprivation tanks for entering altered states in programming) where a Dream Sequence is initiated symbolizing Rihanna "becoming" the characters she portrays for the live show's narrative (last girl on Earth apocalyptic stuff, based partly on 'The Omega Man' apparently). A black and white shot of her face traumatically screaming while she is kept under, looking calm and content in the pod (but screaming on the inside is the clear implication). Naturally her kitten programming is symbolized by a tiger face superimposed over Rihanna's face. After all the usual subliminal flashes of skulls and all that fun stuff, she eventually performs among mannequins and masked backing dancers (photo below videos).

[vid above mad house]

[ Download ]

"A world of her own... A world made of her dreams... And nightmares..."


From 'Hard' comes the militaristic Mickey Mouse hat, it is all ultimately about influencing the kids after all, as evidenced by her singing the aforementioned ultra-suggestive 'Hard' followed by the explicit rough sex anthem 'Rude Boy' at the Nickelodeon Kids Choice Awards 2010. Come on kids, sing it with me! (<>"SO HARD SO HARD... Come here rude boy, boy, can you get it up? Come here rude boy, boy, is you big enough. Take it, take it, baby baby, etc" Rihanna's poor grammar here is absolutely shocking, it should be "'are' you big enough"! That was a joke, I don't mean to make light of a serious issue but I feel it is important to maintain some sort of sense of humor. The lyrics for the performance were apparently changed to "is your love enough" and other slight alterations but please, the children there would know the explicit lyrics and sing the ones they know. How brainwashed do you have to be to see that this is not okay and shows exactly the kinds of minds controlling the music/entertainment industry who would allow this to go forward. People act like "what were they thinking?!" (not as much as one would hope though) when they showed this, but these things are meticulously organized and thought out. Rihanna's handlers could easily have had her sing any other song but they went with three completely inappropriate choices (appropriate though, if you know what is going on).

The themes of militarism, Rihanna entering, sitting on a pink tank above it's phallic cannon (obviously conscious suggestiveness here in the tank's pink colour and the phallic cannon also playing into the 'HARD' song she performs to the kids). Then after 'Hard' two twin plumes of white smoke shoot up, ejaculating (is the pretty blatant implication here, it would be illogical to not make that connection following from 'Hard' and the lyrics sung at that exact time) either side of Rihanna and 'Rude Boy' begins when she dances with the big robots dominating over her. 'Don't Stop the Music' wraps it up and the pink tank, sexy militaristic dancers and twin robots all participate, the song itself is about meeting a guy in a club then (logic suggests, based on the lyrics) fucking him, so obviously fitting the family friendly themes of Nick's Kids Choice awards then. I am reluctant to be so explicit in those descriptions (I can imagine the response I may get) but I feel it is so obvious that it needed to be said.

Above Rihanna on the pink cammo phallic tank and the backing militarist dancers with their over sized "pink wrenches" (replacement for the usual military gun phallus). Below, "slimed" ('sliming' is a yearly ritual Nickelodeon do at every awards, Katy Perry got it this year) kids directly following the song 'Hard' (what ever could Nickelodeon be suggesting here by cutting to that I wonder...).

They also cut specifically to these children with (not) "Peace" symbols and butterflies on their t-shirts and whatnot, no doubt to go along with the imagery of the performance.



Below pics are from the Last Girl on Earth tour to wrap this short post up.

+

=?
But she is a christian and does charity work!! She's just doing her thing playing a character, get a life! Listen to the interview, she explains all of this! Sorry, but "fans" crack me up. I was listening to Christina's explanation for why she went with the Bionic theme and it almost made me laugh out loud... fans lap up all their adored "artist's" nice little stories about why they use certain things though and fair play to them, what reason do they have to question them, none that would benefit themselves that is for sure. It is worth noting who is behind these tours and who may be ultimately responsible for including these themes in many of the Monarch performers' tours, Jamie King who was the creative director of Britney's latest Circus tour and many more.
"You are the consumer (and that is all you are to them)... She... Your soul option..." Intro video to the Rockstar 101 performance. So this quick, rushed post is really just to get the ball rolling again and get me back in posting mode, more posts up soon on some things away from the music industry. I will probably put up a Caprica post in a couple of days, main focus on the actress playing the Cylon, I also want to get some movies/actor posts going and my Uni commitments finish in mid-late May so will hopefully be able to pick up the pace by then. I was wondering if anyone had any alternatives to 'LinkWithin' where you still have image links but you can manually choose which posts it links to (or just an improved one that is similar but more precise in which are the most related posts) because it obviously struggles to deal with the number of posts and whatnot but it is a good way of linking to other posts so may just leave it if there are no good alternatives.

Saturday, 13 March 2010

Fugees video director 'had six children with own daughters to preserve his own bloodline and survive Doomsday'

[This is the kind of person MTV employs to make videos and gives awards to. Sounds like typical end times cult MK programming used here by this depraved sociopath (and used by many "cult leaders" before him), who may be programmed himself ('monsters' like that are not born as 'monsters'). By the way, just to reiterate once this weight has been lifted (finishing education) in about a month I should be able to return to normal posting (want to do one on the recent death of Corey Haim/Lost Boys and such) and catch up on emails, so apologiez for the inactivity. EDIT: Thought I should let people know, if they see this anyway, that the blog is on hiatus until late April so I can focus on work so don't expect new stuff till then. Daily Mail article.]

An award-winning video director repeatedly raped his daughters to create a 'pure' bloodline that would survive Doomsday, a court has heard.

Aswad Ayinde, who won an MTV award for directing The Fugees' 'Killing Me Softly' [good song, always found the video to be very boring personally], fathered six children with his daughters from the mid-1980s until 2002, New Jersey prosecutors said.

Many of the rapes took place in an abandoned funeral home. He even delivered the babies himself in a bid to keep his depraved plot secret.


'Depraved': Aswad Ayinde is accused of raping his daughters in a funeral home

Ayinde, 51, also had nine children with his former wife, Beverly, and amother three with two other women in Brooklyn, according to court documents.

Testifying at a pre-trial hearing in New Jersey, Beverly Ayinde said: 'He said the world was going to end, and it was just going to be him and his offspring and that he was chosen.'

Ayinde, also known as Charles McGill, faces the first of five trials next month - one for each daughter he allegedly abused, said prosecutor Lisa Squitieri.

The video director faces 27 charges including aggravated sexual assault, sexual assault, lewdness, child endangerment, aggravated criminal sexual contact and criminal sexual contact.

A young woman who said Ayinde was her father answered the door at the home but refused to talk about the case.


The Fugees: The group's video for Killing Me Softly was directed by Ayinde [there is definitely more to the Fugees also that might be worth looking in to.]

She told the New York Daily News: 'It's a painful thing. It's not something we're going to talk about outside of our family. The truth is coming out now, after a long time. That's it.'

Joseph Del Russo, a prosecutor, said: ‘The witnesses’ statements describe a depraved parent with a Messianic complex.’

Some of the children produced through the incestuous unions suffer health problems.

Mr Ayinde, who also describes himself as a soft-drink entrepreneur, eluded child welfare investigators by moving from town to town in New Jersey and Florida from 1985 to 2002.

The case echoes that of Austrian rapist Josef Fritzl who secretly kept his daughter captive in his cellar for 24 years, fathering seven children.

Ayinde allegedly beat his children with boards and kicked them with steel-capped boots to stop them speaking about the rapes.

Many of the alleged rapes took place when the family was living in an abandoned funeral home in Paterson, New Jersey.

Mr Ayinde reportedly renovated a room for himself but forced the rest of his family to live in the dilapidated portion of the building.

Two babies, while those that survived never obtained birth certificates and were home-schooled.

Mrs Ayinde, who had nine children with her husband, said: ‘He was having regular relationships with all the girls. I wasn’t fighting back. I was afraid to fight back.

‘I was afraid to ever accuse him of being demented or being a paedophile. I knew the word, but I wouldn’t dare use it because it would result in a beating.’

At his ex-wife’s home in New Jersey, a young woman who said Ayinde was her father told the New York Daily News.

‘It's a painful thing. It's not something we're going to talk about outside of our family. The truth is coming out now, after a long time. That's it.’

Mr Ayinde was arrested in 2006 and has been held on a $1million (£660,000) bond after arriving for a hearing with a woman and child despite a ban on contact with children.

CIA 'caused French village to go mad in the Fifties by spiking baguettes with LSD'

[Interesting Mail story from when they were testing the MK effects of LSD in the 50's, MI6 did similar experiments (along with all other intelligence agencies working for the establishment) in the early days of understanding the drug's effective use in mind control, in typical unnecessarily brash CIA style. Why bother with this? It's not like they haven't got enough of their own soldiers and citizens which they happily test on with less likelihood of being caught. Probably the agency's "humor" at work, I'm sure the agents based in the village were entertained by the show.]

The CIA caused an entire French village to go mad nearly 60 years ago by spiking their baguettes with the mind-bending drug LSD, a new investigation claims.

Hundreds of residents in Pont-Saint-Esprit, southern France, were driven to mass hysteria and hallucinations in the 'cursed bread' incident in August 1951.

Five people died and dozens were sent to mental asylums in strait jackets in one of the most bizarre mysteries in France.


Pont-Saint-Esprit: Villagers here were driven to mass hysteria and hallucinations

One man tried to drown himself, screaming that his belly was being eaten by snakes. An 11-year-old boy tried to strangle his grandmother.

A man shouted 'I am a plane' before jumping out of a second-floor window and breaking his legs.

Another saw his heart escaping through his feet and begged a doctor to put it back.

Baffled villagers had always blamed the incident on a local baker whose bread could have been tainted with mercury or psychedelic mould.

But U.S. journalist H P Albarelli says he has now uncovered CIA documents revealing the agency caused the madness to test the effects of LSD in a secret mind-control experiment.

The incident, which took place at the height of the Cold War, was initially investigated by a Swiss pharmaceutical company Sandoz who have been revealed as the same people who secretly supplied the CIA with LSD.

One note uncovered by Albarelli is a transcript of a conversation between a CIA agent and a Sandoz official who mentions the 'secret of Pont-Saint-Esprit' and explains it was caused by diethylamide the D in LSD.

Mr Albarelli added: ‘The real smoking gun was a White House document sent to members of the Rockefeller Commission formed in 1975 to investigate CIA abuses.

‘It contained the names of a number of French nationals who had been secretly employed by the CIA and made direct reference to the Pont St. Esprit incident.’

Locals in Pont-Saint-Esprit still want to know what caused the mass insanity Villager Charles Granjoh, 71, was one those affected.

He said: ‘At the time people brought up the theory of an experiment aimed at controlling a popular revolt.

‘I almost kicked the bucket and I'd like to know why.’

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