Rihanna the Imprisoned ManneKitten

Without coming across like a broken record; their videos are getting increasingly more blatant and predictable (like GaGa's most recent 'Bad Romance')... let's hope they're not just using us to get the masses used to the idea of MK'd sexual slavery (which is something I have considered) so they can become more public with it following a great cataclysm/WW3 in the future (you can get away with anything as long as you have the appropriate chaos; it will probably never happen though and I don't necessarily buy that argument). The latest by Rihanna is worth posting on (skipping over 'Run This Town' and other things that have been well handled by others), essentially showing Rihanna locked away in a prison, with guards/programmers taunting her and filling the room with gas (drugging the victim) and such leading her to dissociate symbolized by the multiple visual imagery (the mind/personality splitting into dissociated parts). This dissociation is portrayed literally in scenes like the car crashing into her when she suddenly 'wakes up' at 3:28; to give you a real world example of this kind of thing so everyone has a frame of reference (which is always a massive obstacle when discussing things like mind control/dissociative identity disorder and such) for what's being shown at that point, in a dream when you are half asleep and half awake and in the dream you take a big step or jump and you unexpectedly fall leading you to wake up suddenly and have that slightly distressed feeling for a second [a hypnic jerk] is very similar to what happens there (more info further down). The album cover's symbolism is fairly self-explanatory (bondage/slavery themes; nude wrapped in barbed wire, chain, one eye mask, constricting corset), with Rihanna arguably in an 'as above so below' pose (one arm up one down).

"There are her shadowy tormentors, who keep her locked away and subject her to all sorts of torture including gassing her with red smoke and setting a cat on her [kitten dehumanization programming is another common theme in this video]. There are scenes of her twisting and pawing in a padded cell. At one point, she is mowed down by a speeding car."


The video kicks off showing Rihanna lying on the floor of her grid pattern/'padded' cell looking, her position makes her appear psychologically desolate and traumatized. Note the light shining in on Rihanna (top image is from later on in the video not the start).

Then we are shown her tattooed/branded hand over a small blood pool. It symbolically shows scratch/claw marks on one of the square panels of the wall (grid pattern symbolizes the mind split into compartments; grids are used by programmers to 'chart' the victim's alters/programs/triggers/codes/etc); suggesting dehumanization and traumatization (like someone locked in a room attempting to scratch at the door in vein, or having gone insane and are attempting to scratch there way through the wall which seems to be the case here), the camera moves from the scratch marks to the prison guard/handler showing they have caused by his abuse/programming of Rihanna.

Emphasizing the 'claw' aspect and Rihanna's traumatized/dehumanized state, one of Rihanna's broken nails (symbolic claws) is focused on.

The slave handlers dressed in black (who are made to look like programmed individuals themselves, which is often how it works in reality with programmers being victims themselves due to the multigenerational aspect of Monarch mind control) with Rihanna looking in the two-way mirror of her 'padded'/programming cell.

The Russian Roulette theme is important in terms of programming as it is a mechanism used in suicide programming; which ties into the general aspect of this (and the overarching theme of the video) with Rihanna risking her life, willing to die for her "boyfriend"/handler. If we are using the whole Chris Brown domestic abuse example as a reference here; Russian roulette probably symbolizes the mental state of women who stay in abusive relationships (which is very much associated with and quite similar to mind control programming; it's obviously difficult for some people to comprehend but 'mind control' extends to simple manipulation of a partner through verbal abuse as well as the extreme end of the scale in trauma-based mind control programming). In the room she is playing Russian roulette with her boyfriend (this another symbolic dissociative hallucination/dream scene, shown by how the video cuts from her in a dissociative state in the cell and the Russian roulette room) also note the spinning fan/air vent, which I believe is conscious symbolism if you take into account the revolver used in Russian roulette where you spin the chamber to play the game (more spinning/dissociation suggestions and confusion having no idea which exact chamber the bullet is in) before causing severe head trauma if it goes off.

The song's lyrics also relate to this metaphorical (and more literal if it's related to suicide programming and/or willingly dying for your programmer) psychological theme:

Take a breath, take it deep
Calm yourself, he says to me
If you play, you play for keeps
Take a gun, and count to three
I’m sweating now, moving slow
No time to think, my turn to go

[Chorus ]
And you can see my heart beating
You can see it through my chest
And I’m terrified but I’m not leaving
Know that I must must pass this test
So just pull the trigger

Say a prayer to yourself
He says close your eyes
Sometimes it helps
And then I get a scary thought
That he’s here means he’s never lost

(Chorus)

As my life flashes before my eyes
I’m wondering will I ever see another sunrise?
So many won’t get the chance to say goodbye
But it’s too late too pick up the value of my life

(Chorus)

Various imagery is subliminally flashed on screen; here are a few images from the earlier flurry (I'm not including those that appear later on like the gassing scenes and the car).

Fire is shown subliminally symbolizing the primal/primitive aspect of all this programming (to the reptilian brain [most primitive part of the brain] sex and violence are essentially the same) involving a lot of sex, violence and dominance (which is also associated with the reptilian brain; the primal need to stay alive, to attain and keep hold of territory [which you could argue includes women, in order to keep their family going]).

The stuffed leopard is shown here, the image is fragmented but comes into focus (dehumanized sex-kitten alter 'coming into focus' as it were?).


It cuts from the subliminal flashing scene to Rihanna's half face covered (symbolizing psychological trauma) by her hair.

Then a remote control is shown used by the controller on the other side of the glass, implying Rihanna is 'remotely controlled'.

Note the two phallic black speakers; phallic symbolism to mirror and accentuate the two male domineering guards, the fact that both the phallic speakers and the guards are both coloured black certainly adds to this significance. [Edit: Fixed error where I mistook the above 'The Parrot' speakers for vases which they look a little like, cheers to commenter for pointing out what they were and that they are also included in Lady GaGa's latest video for some additional product placement.]

The programmer controls what happens inside the cell (you'd expect cells just like this to exist in reality on military bases and whatnot; with various technology used in programming) from a control panel behind the mirror such as where the light source points (light constantly shined on victim is an old method used in mental manipulation) and flashes (flashing/strobe lights common trance induction technique, shown later on in the video), releasing the gas.

Note as the gas is released (red again symbolizing fire, primal symbolism) her hood covers her face, showing her to be faceless; which is more mind control symbolism of 'facelessness', loss of identity/sense of self/personality in programming (more horrific than it sounds).

A flashing light is also shown to be used on Rihanna (with the room made dark) showing it's use in programming (inducing dissociation; it's common knowledge that strobe/flashing lights can be used for inducing someone into a trance state), as more subliminal flashes of what's happening/has happened to Rihanna (i.e. the image of her distorts and multiplies [her mind fracturing/splitting into parts] then the leopard kitten dehumanization alter programming, it's image distorted and multiplied like a kaleidoscope) are shown.

I don't think the below two images are from the same part as the above few but it's the same deal throughout anyway.

Forgot to write something about the 'heart' theme (for some reason the video I used was mirrored), manipulating/controlling the victim's heart rate is important in Monarch mind control. It probably also has some Tin Man implications too. Song's like this are especially useful because they are timed closer to the tempo of a heart beat (I saw a promo video thing which was pink and had a heart beating in time to the intro; can't find it now), music is known to alter the rate of your heart beat (partly why it relaxes you and such), so this song will probably be rather effective in brainwashing the young audience that follows Rihanna.

Symbolic hang signal above (+ the dress is very 'wings' symbolic when she outstretches her arms)? As she waits (in her dream/dissociative hallucinatory state) for her handler to run her over and kill her; which is part of the reason for the 'Russian Roulette' theme, programmers need to depersonalize/dehumanize and generally traumatize/confuse (and other psychological manipulation/programming) the victim to such an extent that they no longer care about their own life and would give it up for the programmer/handler (whoever) without question, who; through various programming techniques the victim accepts that they 'belong' to and are their expendable property.

Here is the car crash scene I discussed in the opening paragraph, she is like a deer/rabbit/cat caught in headlights; it cuts from immediately just before impact to the light flashed symbolically on Rihanna looking shocked.

You can tell it is like a hypnic jerk because she holds out her hand as an instinctive defense (you'll do something similar to this if you wake up thinking you have just fallen/tripped, in order to break your fall; I don't know how often most people get these but I've had them quite a bit). The only way this differs from the hypnagogic jerk is that she is coming out of a dissociative hallucination following all the gas drugs, flashing lights, trauma and other dissociation inducting methods (rather than just drifting off and dreaming, which could be considered a form of dissociation anyway).

The scenes of her being shot underwater is also symbolic of mind control; as she is 'underwater', trapped in a trance/dissociation with bullets (physical trauma) hitting her, being in a trance is often referred to as going 'under', and considering this is all dissociative hallucination (the only real scene as far as I can tell is the one in the padded cell, the rest is not real; or some are real memories). Underwater also symbolizes the loss of control when you are put 'under' as being in the water prevents you from moving properly; also the feeling of being lost in a vast ocean (with no where to swim and bullets randomly firing at you) seems like a typical visualization technique for hypnosis/trance/dissociation induction (due to the hypnotic crashing of the waves and underwater sounds, the feeling of a lack of sensory awareness [not knowing up from down] which you can experience when in a vast body of water in reality also).

The video ends with the boyfriend losing russian roulette (Chris Brown?) but Rihanna is still trapped in the programmer's cell (in symbolic and traumatized poses) as multiple images of her are shown.

The video was directed by Anthony Mandler... like handler, but more manly. I kid of course, he also directed the video she did with Maroon 5 where she is essentially portrayed as a sex-slave for the band which I analyzed at a post I did on her various videos (included the checkerboard/mirror symbolic room scene from the video to illustrate Mandler's conscious use of symbolism). Note Maroon 5's symbolic logo on the single's cover with the vesica pisces (vagina) and the 'v' (for 5, but also 'v' is another symbol used for the vagina) which they've separated from the rest of the letter, the symbolic letter 'M' used to good effect.

It doesn't take a genius to figure out what her album 'Rated R' is about with the very first track called 'Mad House'. The cover art was shot by Ellen Von Unwerth, with the usual symbolism of Rihanna covering one eye (all seeing eye of horus/split mind), which she (like most of the other puppet performers) constantly shows. There's even a track in there called 'Hard' (the lyrics [if you can call them that] literally hurt my brain to read) to make things insanely suggestively.

I found Rihanna's photo shoot video is more explicit with kitten alter programming suggestions with all the usual imagery and also mannequins (symbolizing the 'empty shell' that victims are turned into in programming; devoid of a real personality, unable to move, speak etc [posted on this symbolism an innumerable number of times like on Beyonce and many others throughout the blog]); all the mannequin imagery in particular really reminded me of her 100% MK symbolic music video Disturbia which I posted here though I think the video is broken now (analzyed the imagery more here along with some of her other videos).

Coincidental M M?

Rihanna as a kitten is consciously invoked here with a cat yelping sound heard as Rihanna makes the kitten 'grrr' noise from inside a cage; and as a black cat plays with/attacks her (obviously note the leopard print).

Probably a subliminal or two in the graffiti below (none jump out at me) + black/white pattern leggings and what looks like some suggestive hand movements as she does some 'tagging'.


Can't go wrong with a bit of mind control humor as a Rihanna talking mask is used by one of her handlers or whoever (suggesting she is a just a ventriloquist dummy).


Cigarette = phallus + fire/light (Luciferian symbolism)

If she is just acting then she's got that empty eyed mannequin expression and pose down pretty well.

Any obviously conscious "pussy" euphemisms are a given and always go without saying.

What do you do to a big drum? You beat it; again I feel this is consciously invoking her very public beating by Chris Brown. This is emphasized by the fact that these drums are usually used in dramatic/loud parts of an orchestral piece (not sure I described that well but it's pretty easy to understand the symbolism I am describing if you imagine when something action orientated happens in a movie the big bass drums will often be beaten, and obviously 'war drums' are a good example of what I'm talking about). Note her catsuit (can't make out the print).

The broken mannequin parts are pretty self explanatory.





Sex-kitten mannequin (obviously similar to the sex doll theme) programming seems to be the overarching theme.

Two Black and White Kitty Kats.

The below 'cage' symbolic scene reminds me of Katy Perry's Complex photo shoot which I'll be posting when I eventually do something else on Katy (might do something on her "relationship" with Russel Brand which is just comical).

Guess what they dressed her up in at this years Halloween (you don't need to), a tiger. The fact that she was pictured with confirmed 'Cocobot' Nicole 'Coco' Austin wearing a devil-like mask and red shoes (Oz sex programming) just tipped this picture over the edge of the scale. The photo was taken at the, I shit you not; the M2 ULTRA Lounge (click enter and watch Mariah showing up to it dressed as an angel, + more MK'd and non-MK'd celebs here; they should have grown a pair and just called it the MK ULTRA ;P, if I were to quickly put my over-analytical conspiracist numerology obsessed hat on I might argue that the 2 does actually represent K because 2 = 1+1, 2 ones, 11=K; it also probably represents MM Marilyn Monroe, 33 type deal, though of course it's all connected but I try to avoid going down this route in most posts as it probably loses a few people).

Quick reminder of Coco the kitten at a Halloween from a few years ago. By the way that's Ice-T, her handler wearing a ballgag and flashing the horns (he is ex-army; may be [though I'm doubtful] programmed, son of Solomon and Alice); it's some sick irony and shows their 'sense of humor' that this guy is a star of the sex crimes version of Law and Order which I went into in the Cocobots post where the below image is from.

Rihanna has been increasingly compared to Grace Jones (she looks quite like her in the below Vogue spread), who is more than likely mind controlled; she has also been pictured in this dehumanizing way inside of a cage with the line (also written on Shakira's 'Shewolf' dehumanization cage) "DO NOT FEED THE ANIMAL" written on it; some people immediately view it as racist symbolism like this Jezebel article comparing Grace Jones with Kanye's Kitten Amber Rose (one of Rihanna's "friends", she has also probably been used by Chris Brown), remember Rihanna appeared in Kanye's dissociation symbolic video for Paranoid. But I feel that has little to do with it (it definitely contributes though), slaves exist today and they're still singing and dancing for the masses' entertainment.

Quickly on Amber Rose, I put some images of her in my imageshack a few months ago which I'll include a couple of here (+ the cage scene) to illustrate some of the flagrantly common bondage/slavery themes used in photo shoots and public appearances of these likely slaves. I intend on covering Amber at some point again in the future (probably next time I cover a Kanye video or whatever) so haven't included all my images (she has a paw print tattoo also by the way).

Kanye wearing the Masonic double headed eagle, COCO Chanel (interlocking rings/vesica pisces symbol I've discussed many times) pin and below Amber with COCO (in black/white zebra; like I said before I have more images, they are virtually always dressed up in something symbolic) to round things off here in a slightly odd synchronistic way.

But returning to Rihanna to finish off this post, her September 2009 Vogue Italia spread shot by Steven Klein (has worked a lot with Madonna and done an insane amount of symbolic stuff [involving robots and the like]) was certainly interesting, with the cage theme most prevalent (not an actual cage but that's obviously the symbolism here) and various other symbolism (look out for metallic armor type robot stuff, triangle pattern dress, crutch symbolizing she is [psychologically] 'broken', a standard occult skull tipped phallic cane and such) for you to interpret (no time to go through and type out every image).

Note above her mouth is gagged by fake lips.




She looks especially dead eyed in this scene; maybe all that rocking back and forth back and forth back and forth made her dissociative.

Heath Ledger's Symbolic "Cause an Effect" Music Video

I had been waiting for some of Heath Ledger's music videos he directed before his death to be released online so thanks a lot to the emailer for the link. Was anyone really expecting that at least one of them would not be full of the usual symbolism of one eye, black/white duality (+ red; fire/blood/primal), symbolic makeup/mask-like stuff. He directed this video 'Cause an Effect' ('cause & effect' is quite dualistic) for London based 'No Fixed Abode' shortly before becoming the 'Joker' for The Dark Knight and then his untimely demise occurred whilst filming the ultra-occult (and mind control symbolic, even says the words 'mind control' in it; looking forward to doing a substantive post on the film when it's released on Blu Ray) 'The Imaginarium of Doctor Parnassus'.

His Modest Mouse video has less symbolism, because it is going for a political message (anti-whaling) rather than the previous video which was purely artistic/symbolic, though it has the odd bit of symbolism (the sun face, which sets after symbolically setting enough to show only one eye [eye of Horus/Ra/sun] then sets all the way down in disgust at what they are doing to the humans). The roles are reversed so Whales act as humans as they catch and skin humans alive before turning them into ginger bread type men and feeding to their sea lion pets.

Miley Cyrus Is An Android!

I had to do a little post on this Family Guy episode, I realize it hasn't been long enough since my last Miley Cyrus post but these types of posts don't take very long to complete. The show featured it's usual twisted mixture of suggestive incest, pedophilia, child and domestic abuse, bestiality and all that other fun stuff that makes Family Guy work [this post isn't entirely serious, more entertainment]! This episode felt like Miley Cyrus' mind controlled/robotic sex slave existence is now an open secret, though I'm sure some people will think they're just taking the piss out of the whole idea (when I saw the title of the episode 'Hannah Banana' I knew it was going to be something about her being a corporate puppet/robot/slave). I'm surprised Disney even allow episodes like this and the South Park one to be made, you'd think they would at least sue Comedy Central/FOX (I guess they're all in on it) for using "their property's" (the names of shows/characters, Mickey Mouse in South Park) likeness considering the army of corporate lawyers/drones they have at their disposal.

The talking baby Stewie is a fan of Hannah Montana (just an excuse to cover Miley in the show) in this episode and is watching a marathon of it on TV. They created a mock clip of the show which illustrates what I have discussed in regards to her Hannah Montana show mimicking her reality (and how she probably views it as reality) and is suggestive of the sexual abuse/incest by Billy Ray Cyrus against his daughter. BRC: "Sorry but you know the rules, Hannah can't do the photo shoot until Miley finishes her homework." MC: "You can't tell Hannah what to do she's not your daughter." BRC: "Wait so Miley's my daughter but Hannah isn't." MC: "Right." BRC: "Great... put your wig on [in-studio audience laughs].. shut up! This is real..." The suggestion here is that Billy Ray will have sex with his daughter in the Hannah wig so he can pretend it isn't actually his daughter (psychologically lessening the guilt I guess), symbolizing the sexual abuse causing dissociation and splits in the mind so the abuse isn't happening to Miley, but rather to her alter-personality Hannah Montana (as well as the wig signifying an alter-personality symbolism of course).

Completely random incest suggestion here, "Hey Chris you wanna practice kissing again?" and in the below scene (Chris trying to catch the 'Evil Monkey' on video) where child abuse and pedophilia is shown Quagmire, the resident sex-addict punches him in the face after Quagmire and Peter make him wet the bed; then the resident pedophile Herbert ("In the episode "No Chris Left Behind", Herbert is shown to be the Grand Master of the Skull and Bones society at Morningwood academy." [Parodying Yale's]) comes in painting Chris in a symbolic 'Birth of Venus' style pose.

The 'Evil Monkey' that lives in Chris' closet turns out to be not evil (the other story arc in the episode), he does Chris' book report for him (what Chris had written is above referencing 'The Catcher In the Rye' book favored by mind controlled assassins) titled "The Slave Trade Allegory of Curious George" which is pretty obvious, and was obviously consciously written as a slave trade narrative (a white man kidnaps "curious George" from the jungles of Africa and ships him over to America where he lives in the white man's house, "helping" his white master around the house and such). Invoking slavery is important here, hinting that Miley is a victim of the modern day slave trade (abused and programmed from birth now used as a lucrative puppet performer by the Disney slave masters).

Curious George (Bush) at the White House in 2003... I'm sorry but there's something (deeply disturbing) about that photo that just cracks me up.

Chris and the monkey go fishing, catch and eat Aquaman (fish dehumanization programming discussed in relation to Noah's film Ponyo) during a montage with a mock Miley Cyrus song over the top of it.

Stewie and Brian (the talking dog) sneak backstage to meet Miley.


Where they discover (hearing her mobile phone giving off interference, a remote control for controlling her) she is actually an android; Stewie: "Oh My God, she's an android! Miley Cyrus is an android!" Brian: "Of course, she's a product of Disney Imagineering, they built a perfect robot teen idol."...

... Stewie: "Yes assuring that she could never fail, like famous duelist Sir Henry Giant-Hole-in-the-Torso Wiccanshire." Straight after discovering she is an android, there is a random joke about a fictional famous duelist (probably a dualism/duality suggestion) with a hole/circle (probably sexual euphemism, bullet going through the hole) as his torso and a square shaped ("Sir Joseph Broad-Front") duelist, but I wasn't exactly sure what to make of that.

Brian's (the talking dog) immediate reaction is to use the Miley robot for sex, Stewie asks him what they should do: "Well we could do something... well look at her, she dances like a real girl, she moves like a real girl... do you think shee does.. other stuff like a real girl, you know if you reprogrammed her." "Brian that's sick she's 16!... I'll see what I can do".

Stewie reprogramming her.

Stewie tries to reprogram her for sex but screws up, convulses (electroshock suggestions shown below) and switches to a superhuman animalistic (King Kong) alter-personality (instead of the sex/kitten one they were going for).


Note all the shattered glass (symbolic of her shattered mind in her Monarch [trauma-based] mind control programming), and below the mannequins (one with top hat).

Reversing roles from the undeniably phallic scene from King Kong (symbolizing sexual power/dominance over slaves like Miley; remember obviously the banana in the title of the episode is also phallic symbolism), she takes the Monkey (who tries to stop her causing chaos and destruction) up to the top of the Empire State Building and fights Quagmire and her father in a plane similar to the film. Aside from the Imperial/Illuminist name; the Empire State Building is one giant phallic obelisk (note the sun rays motifs shown above which also feature on it in reality).

She is eventually shot down from the tip of the phallic Empire State, symbolically shooting off half of the human skin revealing half of her robotic face (split mind symbolic; speaking of which, I've added her official symbolic international cover of her latest EP, the rings look significant also) a la Terminator. Should mention (though it's pointless saying it every time she's pictured with a mic) but the cover is also extremely suggestive with her lips open above the phallic microphone which she is holding up to her chin, she appears to be in a frazzled state (what do you think the implication of her hair being messy is, it's all about sex [and blocking out one eye of course]), one of the rings appears to be a long vesica pisces (vagina) symbolic shape (the other being a purple gem or something), you could argue the 'y' in the Miley's "signature" is also supposed to represent the vagina which seems to be significant due to it's size.

Note the Terminator style right red eye which finally flashes red then off showing the robot Miley Cyrus to be dead, Stewie says to him "You know Brian, here's your shot, go for it. [she explodes] Oh, too late." Her robotic hand drops down then Brian says "no it's not" suggesting the dog will use Miley's robotic hand for sex (which is twisted in so many different ways ;p). I've seen other stuff in some of the other shows like a fair bit of mind control in American Dad and some stuff in recent South Parks but I'll leave this post short and to the point.

And isn't this a nice little clip from the episode before the Miley Cyrus one (a Patrick Swayze tribute)... it's just cartoon comedy though don't forget!

Included this one randomly because it's actually pretty funny.