Pseudo-Occult Media

MTV's New Illuminist Video

2010-11-05T10:57:00.000-07:00

Yesterday, a PR company sent me a press release for the release of an intriguing new video directed by Hollywood director David Ayer for LCD Soundsystem's 'Pow Pow' which I wanted to quickly do a post on. This is the first in a series of 'supervideos' that aim to use famous actors/directors and they will apparently, "capture the spirit and excitement of the must-see music video that has been synonymous with MTV", so.. they will likely be full of the symbolism that has been a staple of MTV and it's videos for decades.

The series is created by MEAN Magazine and presented by MTV, the first one starring Twilight series actress Anna Kendrick. I thought I might as well post this as I thought it was interesting (even though it seems they want sites like this to do "exposés" on their videos to cash in on the "Illuminati" themes current high level of interest online, hence why they sent the press release to sites like mine) and I haven't been working on much else this past month since I last put one up, hopefully I'll get working again on some of my full length posts soon. People outside of the US, I was able to watch it here (took me ages to find a working video I could watch).

MTV Shows

Anna Kendrick apparently is a goddess (I think Isis) who "collects the souls of the Wicked Men" as she puts on a bracelet (from a table full of make-up, jewelry, credit cards etc; ways of altering her identity) and is instantly transported (maybe evoking dissociation due to her lost time in getting there; note the cage behind her in one of the promo pics above also) to a scene with her handlers who lead her through various scenes and she comes across various nafarious characters, the Wicked Men (whose souls she is collecting).

She collects their souls by magickally holding her hand up to them and a standard Freemasonic/Illuminist symbol is flashed, then she is transported to the next soul to collect by her handlers.

The director David Ayer has used this eye in the triangle Masonic/Illuminist symbol in a film he directed I covered way back in 2008, 'Street Kings' (cap here from the post; it's symbolically on a light above a stairway leading up to some corrupt cops).

The third and final wicked man's soul she collects, she flashes the eye of providence/all seeing eye at him and all three find themselves inside a mock Masonic lodge room complete with checkerboard floor and a Master Mason acting as a judge (holding a gavel). Note the human skull and a (probably) Masonic bible over a pillar adjacent to the Masonic judge, the room is lit up (Luciferian), illuminating the Masonic Illuminist.

Ayer says one of themes of the video is that “No matter how big you are, how important you are in this temporal world of ours, there’s somebody more important… You have to answer for your sins, and that’s a little bit of what this video is about.” You could argue that the all seeing eyes and such represent God (though many will say it is Lucifer) and that the wicked men are answering to God which is a less sinister interpretation of the video that I do not side with as the Mason has quite a devious look about him.

Also in the room are what look like a politician, a military general and a police officer (three more 'wicked men' to be judged by the Mason).

Anna comes out of the light (of Lucifer?) in the room wearing white (representing purity/innocence; as opposed to the dark things the 'wicked men' are involved in, the Masonic duality checkerboard is obviously of note here). She then looks at them in a less innocent, judgmental way as the screen is filled with light and the three are then seen looking guilty and full of regret back in their reality (having seen the light, I guess). After this, at the very end she reaches for a knuckle duster (i.e. to punish them) but instead picks up a bracelet.

The way I look at it, you can interpret it in two, possibly more ways, Kendrick may have collected them up to this place to be judged by the 'good Mason' to teach them the error of their ways (when back in their original scenes after, they have a look of guilt and regret). Either that, or the Mason is issuing orders/edicts to the facets of society they have their gavel/authority/control over (the corporate world and the underworld stuff the three wicked men are involved in; and of course the three other people in the room who represent the government, military, police, Masonic symbolism pervades most of these parts of society in reality as many will know). More substantive posts up hopefully sooner rather than later, thought this was worth quickly posting anyway till I have something new up.

Note the symbolic duality/masonic checkerboard symbolically reflected in one eye of the sly looking Mason's glasses.

Mind Controlled Lolitas: The French Touch

2010-09-27T06:10:00.000-07:00

I realize I have not posted anything for months, this was not planned but I believe this has been mainly down to 'blogger burnout' which a lot of people get after a while of constant blogging so a long break like this has probably been needed for a while as my number of posts had been steadily dwindling. Thanks for continuing to visit and leaving comments though. I do have more posts in the works and will get them up some time, hopefully in the near future.

In the mean time I have decided to post this article, which has been co-written by a contributor from France, Mathieu Pilars and myself. So special thanks to him for sending me his original which I edited and added some of my own research/images to (enough that we decided to call it a joint article). I do not plan to have contributors as a regular feature of the blog (though I have not ruled out the idea entirely if something substantive comes along) so please do not spend a lot of time writing something and sending it to me as I will probably not publish it.

Anyway, here is the article that covers a fair bit of the French side of things but obviously not all of it, I hope you find it interesting (it is quite long so I might have missed the odd typo/error, just let me know if you come across anything worth fixing):

By Mathieu Pilars and Benjamin Singleton

In this article I will try to expose some quickly-done research about celebrities in France that share mind-control symbolism with their US and UK counterparts.

I will only be covering recent french celebrities, but an extensive search could be done around the first pioneers of the Lolita archetype in France. Everything really starts with Serge Gainsbourg's muses: France Gall (in 1965, in her song written by Gainsbourg, called "wax puppet" she tells us: "My records are like a mirror where everybody can see me, I’m everywhere at the same time, broken in a thousand pieces of voice"), Brigitte Bardot, Jane Birkin (daughter of Royal Navy commander/WWII intelligence operative, distant relative of British King and Mason Edward VIII's mistress), Vanessa Paradis ("Paradise it’s hell" - spoken at the end of the symbolic video for Tandem) or even his own daughter Charlotte (abusing her on a ritual altar in their "Lemon Incest" video)...

France Gall above, on the right after performing and winning at Eurovision with Wax Doll/puppet in 1965, the left image is a promo photo from her Der Computer Nr. 3 single. Serge with Vanessa Paradis below, Serge nicknamed her "Lolycéenne" meaning "Lolita schoolgirl" according to the linked bio.

Serge Gainsbourg and Jane Birkin in a domestic violence/abuse themed shoot, below her 'lolita go home' cover with Birkin in handcuffs (from an infamous bondage themed nude photo shoot for Lui magazine).

Birkin and Gainsbourg's offspring was of course Charlotte (one of whose recent tracks, Master's Hands, featured in my previous post), here are a couple of screen captures from the 'Lemon Incest' video, note the triangular ritual altar-platforms the bed is on, which goes from black to white (duality) and the general cave/underground evokes a Hell-like setting. She was 13 at the time of recording the song.

An extract from a Telegraph interview article for the release of 'Antichrist': "She slumps forward in her chair like a marionette whose strings have been cut, and the tips of her long hair brush across her knees. “If he were still here I think I would only work with him,” she says, firmly. Is that because she felt he understood her better than anyone? “Oh, no. No, I don’t think he understood me. I don’t think that was his goal, to get into other people’s personalities, or souls. My experience was that you were not in control: he told you when to smile, when to breathe, and then little accidents would occur and that was what he was looking for. You were like a puppet for him; he pulled the strings. In that sense, he was like a film director.”

Charlotte's first album, 'Charlotte For Ever' was also released under the name 'Lemon Incest' internationally (cover of the single above; apparently the song was a play on words for 'Lemon Zest' but obviously there is more to it than that, and it is pretty overt), with all the songs written by Serge such as 'Oh Daddy Oh' and 'Don't forget to forget me' and probably other suggestive ones I cannot understand as my (Ben) French is very poor.

Serge's film 'Charlotte For Ever', directed by himself, is extremely suggestive and mirrors his own life: "Stan, screenplay writer, had his time of glory in Hollywood. Today, alcoholic with a certain envy for suicide, his only link to life is his daughter, Charlotte." as he himself ended up dying, arguably a washed up alcoholic. She must have been at the most only 15 years of age when this was filmed, here is a trailer, and directing your own daughter in scenes like this is clearly perverse (unless you buy into the whole naive cliché "oh it's just how the French do things").

I began by doing a standard survey of the most well known female singers in France and then launched a Google Images search on each one, sometimes adding "disque" to have only their records' covers, looking for blatant symbols or references to mind-control or occult symbolism. I was quickly amazed as I am now 40-something and am not following the mainstream pop-culture anymore. I knew their names, but not their current marketing stuff. I was amazed.

We will be covering here: Alizée, Lorie, Ophelie Winter, Jenifer Bartoli, Nolwenn Leroy and Loana. If you're French and have children, you may well have one of these girls' posters stuck on the wall of your daughter's room.

Alizée’s early promo material. Note that in french, a bow-tie is spelled "butterfly knot".

Let's begin with Alizée, who started in a reality show aired on M6 (know your enemy, this media group also has another TV channel named W9, M6 reversed). She was then spotted and coached directly by Mylene Farmer and her probable handler Laurent Boutonnat, who I’ll both introduce first:

Mylene Farmer is a popular 80's - 90's pop singer who popularized a Gothic/romantic genre, mixing aesthetics from the Marquis de Sade, sex abuse, vampires etc without using too explicitly satanic/occult stuff or whatever (looks like, you know, it's art). Mylene also became an icon for all the libertine clubs (partner swapping), bondage, fetish or transsexual "scene". One of her most recent singles, "Sextonic" is also the name of a sex toy she sells online. She is nonetheless a mainstream artist, often seen on TV, and recently invited at Nicolas Sarkozy’s palace for a party given for the coming of Russian President Dmitry Medvedev (who likes her very much, like many Russians where she is popular).

Mylene's videos have predominantly been made by Laurent Boutonnat, who started his career at just 17 with a film called "Ballade de la Féconductrice", triple word-play around the words "fée" (fairy), "féconder" (fertilize) and "conductrice" (electrical conductor). The film begins with the fairy electrifying a boy in his bath, then follows emasculation, rape, etc...  In Mylene’s videos or shows, he frequently uses occult and Nazi-style symbols and themes (the red/black/white motif is relatively common in his work). The main point here is that this guy basically used Mylene to create something, she is his art "thing", and he has clearly stated this many times.

An image from the first Laurent Boutonnat film - electric shocks, rape, mass extermination, controlling children like puppets; it's all here in 1979.

Anyway, this promising young man had the privilege to have this same movie shown at the Cannes film festival in 1979, the poster from Cannes is above. In 1984 he launched Mylene's career with 'Mum is wrong' featuring a child-abuse/psychiatric ambiance, starting with a Freud portrait.

'Sans Contrefaçon', a song in which she talks about a girl who thinks she is a man, the video’s plot being a "puppet-master" trying to make money with Mylene’s puppet/ventriloquist dummy (like Mylene was to Laurent), which then comes to life (a typical Pinocchio/Golem/etc theme).

But Mylene is not a puppet/kitten archetype anymore, in an occult way, she now looks more like a high priestess.

Image from her 'Mylenium Tour', held in 1999, and included a 9 meter-high animated statue of Isis, designed by HR Giger, about which she stated: "I chose Isis because she’s got many faces. I gave birth to a creature which is, for me, the mother of the living nature. She evokes the four elements, and she is the fifth."

One of her last videos "Degeneration" clearly shows what looks like a mind control Nazi experiment facility. It’s not just a movie set, though: the building where the video was filmed is the psychiatric institute of Prague-Bohnice, where "Beginning from 1937, insulin comas were performed, after the war electric shocks and lobotomy." I suppose we can call this choice a tribute, or is it just an artistic commitment to detail? The first lyrics can be understood easily "Sexy coma, sexy trauma".

You could go through all of her videos, but I (Ben) thought a few were worth adding in (I believe Mylene, and some also some others have been brought up in this blog's comments too). 'Comme j'ai mal' ('How much I suffer') explicitly references her Monarch programming, as it shows someone who is presumably supposed to be her father abusing a young girl (representing her; her dissociated childhood memories) with various symbolic shots of a doll, insects and such, as Mylene eventually is coccooned and turned into a butterfly:

Fuck Them All has Mylene like a caged bird as well as other pertinent motifs:

And her video for 'Je te rends ton amour' ('I give back your love') has some very clear Satanic overtones.

In her video for 'California' she played a sex-kitten/prostitute in Hollywood (the kitten programming reinforced by the leopard print coat), standard MPD/MK (Mind Kontrol) symbolism as her celebrity/high society personality looks at herself from her car before attending an event; the hooker Mylene is killed, by her pimp/handler who is the same handler as the celebrity "boyfriend" (she kills him at the end of it after altering her clothes to be more like the prostitute).

Her video for 'My Soul is Slashed', directed by Luc Besson also has a few interesting themes (God as a business man sitting in a black inverted pyramid chair, Mylene as his angel sent down to Earth to find out what happened to 'love', she is soon seduced to the 'dark' side, the duality symbolized by her change from a white outfit to black).

You get the picture that a full post could easily be dedicated to Ms Farmer's "work" as every video is symbolic in one way or another, but that is not the point of this post, let’s get back to Alizée, her successor.

Alizée was only 15 when she started to work with (...to be shaped by, more exactly) these two fellows. The first video ('Moi...Lolita') which defines her style for the years to come: a child-like seductive kitten. "Lolita" is of course the one from Nabokov, from which Stanley Kubrick made a movi e. The plot of the music video (above): a young girl from the countryside, beaten by her mother goes to town, enters a nightclub, goes trance dancing, the lyrics saying "it's not my fault if when I give my tongue to the cat (French expression meaning withdrawal when you don't find the answer to a riddle), I see the others ready to jump over me...". It's the "occult/sulfurous" Mylene formula, but in a fresh, virgin-like shape.

Alizée's second record cover ('under the heel' of dissociatively huge shoe, like being shrunk in Alice in Wonderland; the name Alizée seems quite similar to Alice also, she originates from Corsica like Laetitia Casta by the way). The title: my electric currents (shocks). Below is a more recent live performance wearing a dress suggestive of her kitten programming.

Other lyrics evoking the traditional MK blurred personality in her first album can be spotted like Abracadabra: Mon humeur et moi / Changeons de peau à / Chaque fois (Me and my mood / change of skin / each time).

Alizée's third record (come back after 3 years) "Psychédélices" (Psychedelics / Delicious) cover uses the multiple alters theme: a young collegian, presumably food-addict and a sexy kitten (Alizée is known to love her Louboutin shoes), apparently happy to see her alter-ego surrender to temptation - a butterfly is in the purple lettering. The green/pink/orange traffic lights possibly representing colour coded triggers for the alters (alter 'stops/waits/starts').

Alizée is also known to have a giant Tinkerbell tattoo on her back, here filmed on a national TV show.

Now an international brand (particularly in Japan and Mexico as well as France), she's moving to electronic music, using the hippest Parisian DJs, with a retro pop-art graphical setup. Her last video contains a fair amount of the standard MK symbolism: reflections/multiples of self, lost in an hotel corridor (quickly, at 0:32), and she now appears "grown up" and looks more like a presidential model than the child-woman Lolita she used to be.

To finish with Alizée, there's an earlier video 'Fifty-Sixty' a tribute to Andy Warhol’s muse, Edie Sedgwick, which piles up all the MK'ed models attributes. It's quite full of various symbols, magic flying Louboutin shoes, butterfly-wings (evoking her Tinkerbell tattoo) in the bathroom (1:40). It also begins with a view of the Chrysler tower in NYC.

Adding to Alizée, there are a few other videos that I (Ben) feel are especially MK symbolic that deserve some attention.

'Mademoiselle Juliette' (single cover above, note the gilded/gold bird cage on a chain, pentagram/star shape, dog dehumanization etc), released in 2007 leads you to believe at the start that it is going to be a rehashing of Shakespeare's Romeo and Juliette, however it soon veers off in a whole other symbolic direction.

After being serenaded by Romeo, her 'dark side' (alter; note the Tinkerbell tattoo), wearing a black mask, appears giving her the silence trigger and leads her into a room (note the Tinkerbell statue; Tinkerbell was likely used heavily in her programming hence the massive tattoo on her back, in Monarch mind control Tinkerbell is the never grow up/childlike alter created in Peter Pan programming, very much related to her original Lolita persona) away from Romeo.

The dark masked Alizée leads the other into various scenes such as masked girls staring and standing motionless as if tranced (Alizée dances around them and lifts up one of the girls' arm and it drops down showing their depicted tranced/dissociative state) and a symbolic duality checkerboard floor room where two girls share a bath in suggestive/symbolic white liquid, the duality emphasized by the girls in black pouring the liquid and the black and white candles on the checkerboard floor.

Note she is led by a black chubby Mickey Mouse-like figure with a white skull and bones on it (within an eye shape), this is in a room where girls dressed in black are sitting around like statues smoking; contrasted with the first room that she enters room where girls in pink are indulging with treats, cake, guitars and such.

The DJ (wearing what looks like a checkerboard or some kind of black/white patterned sweater, naturally) starts spinning his decks playing the music, triggering the tranced girls to dance and enter into a dualistic "dance off" (ones in pink 'light' vs ones in black 'dark'). Which I believe is won by the 'dark side' as one of them smacks a pink one in the face and they all fall down and disappear, leaving the dark, masked Alizée alone to remove her mask and walk back out to Romeo (different alter to the one he was just previously with; so all of that was probably symbolizing her switching in her head to another alter).

The last Alizée video I would like to cover quicker than the last is 'Parler Tout Bas', released in 2001 produced by Farmer/Boutonnat, the video is directed by Boutonnat also and features mind control symbolism in the form of broken dolls scattered on the mud ground; this broken doll theme is a common motif for child abuse/programming. More specifically a porcelain doll is focused on as well as Alizee as she lies in a bed with her teddy bear and dolls in the pouring rain as the building has no roof (symbolic of no safety/shield from elements/trauma). Most creepy are the girls, representing Alizee (possible alters) wearing porcelain doll masks that follow her around and look over her sitting up a tree (her internal structure?) as she buries her teddy bear before her boyfriend arrives (based on the other imagery in the video, probably her handler/programmer as there is a picture of him by her bed also) and they embrace while the doll-girls look on in the tree.

Some additional images that I put together to add to Alizee.

Note the Monarch butterflies added to the picture in this promo photo.

Alizee with prominent MK slave user Prince Albert of Monaco at the World Music Awards in Monaco.

Speaking of Tinkerbell, the official french voice for her last few Disney adventures is Lorie (often referred to as the "French Britney Spears"), another girl who also started to sing at 15, she was signed by Sony at age 18 - above left is one of her first promotional pictures with a butterfly mask. She married Billy Crawford. After a few years as a romance/ballad singer, like her colleagues, her style took an electro-pop turn (above right), and she now has all the common Illuminati gimmicks in her videos:

In "Je vais vite" video, the universe shown is reminiscent of Luc Besson’s (another post to do about him and his films: Nikita ... etc) film 'The Fifth Element'. Note the fractured infinite mirror scene above also. [Ed: I have a bit on Besson and FE in a Milla Jovovich post I have half finished]

Lorie also was engaged for 3 years to Garou, a renowned Quebec French singer (in french loup-garou means werewolf, which is not his first name or surname), who was cited, among others, by the top-model Karen Mulder (Garou's previous "official" relationship) as being involved in top-model sex-slave brainwashing the day she tried to tell her story on French television. What she said had been cut, a fan filming the interview in the audience had his tape erased by security staff, but the story was revealed on the web. She claimed that Garou was fully aware that Ophelie Winter was a victim of MK. Click the Karen Mulder link for my post on the matter where I cover Ophelie also.

Ophélie Winter, another model and singer was invited on the talk show, Karen Mulder in her original testimony said she could confirm all she was telling. But Ophélie entered the TV studio only once, angry Karen had left, and made no comment at all and did her interview as if nothing had happened.  Daughter of a dutch singer and a model, Ophélie, is a big sex-symbol in France, who now has her own "name sign" (a W in a O) like her master Prince, whom she worked with for a year. She is also seen very often in movies, talk-shows, etc. Mrs Winter has also been under arrest during a french inquire about a broad cocaine trafficking network. This fits as MK slaves are known to be used in this kind smuggling activity.

To get back to MK female singers in France, we then have Jenifer Bartoli and Nolwenn Leroy, both coming from the new fish pond for MK female candidates: reality shows.

Jenifer Bartoli, doing "just a cool gesture" on the picture above, was "discovered" in S tar Academy, but also was in the other "Graines de Star" (Star Seeds) in 1997, with Alizée. Her third album is called 'Lunatic' (crazy/lunacy, has MK connotations) and has a Monarch symbolic butterfly-marked cover (below).

This photo shoot of Bartoli and the serpent is very typical, the same type of snake (yellow Python) Britney Spears and others have danced seductively with in this often repeated in the media psycho-sexual and esoteric scene (serpent: phallus, wisdom/loss of innocence/Garden of Eden/Satan).

Nolwenn Leroy, also came from the Star Academy musical reality show, Jenifer won the first series, Nolwenn the second.  In the above covers notice the owl, white/black rabbit (more Alice bits follow), cat and swan. On the above left cover note the peacock feather eye symbolism. Also on the above right, she has the cable of the mic around her foot, like a leash. This reminds me of one the best known French lolitas, which I have mentioned already, Vanessa Paradis (whose singing career started to grow at age 14). She's renowned for the Chanel video commercial where she's a bird in a cage (notice also the red rope around her ankle like a shackle/leash). Nolwenn also used this 'caged bird' theme in her portfolio (a few images down, from her single cover shoot for 'Nolwenn Ohwo!').

Nolwenn had the Monarch theme in her second record 'Histoire Naturelle' and it's single of the same name, with the music video showing her as a dead butterfly pinned in a museum box. The lyrics: "I'm a butterfly lost among the lions", "I like to fly in every direction", "the would-be Darwins want to undress, to dissect me without any emotion", "My story is the one about an appearing species".

In the video, the camera pans across some pinned butterflies in the nature museum setting, making sure to pan across a large Monarch butterfly, then we see her in a cocoon (transforming/metamorphosing into a butterfly, a common mind control motif/imagery used in Monarch programming) you can also see her as a spider (or Shiva's arms, as you like).

Nolwenn Leroy's last album is actually named 'Me and the Cheshire Cat', in English. As few in France can get this Cheshire reference (we just call it the "Alice in Wonderland Cat"), I suppose this is a way of bridging the language gap for cultural/programming references.

The first video from this record ('faut-il, faut-il pas': must I or not?) has a lot less symbols.  The butterfly is just evoked on a lamp, at the right, at the very start of the song:

The lyrics are all about being controlled: "It's been a long time I've decided to not decide anything", "Why choose between Cancer or Cholera" , "He's tempting and attracting me without end". Another theme is duality with a balance, and two twins (black/white) going up and down as she can't choose, this theme goes on throughout the video (salt/pepper, apple/cake etc) as she can't make her mind up choosing between various polar opposites (duality/total confusion). The house is tipped from side to side like it is a dollhouse being shaken.

Here she is at a Paris premiere of the new Alice in Wonderland movie, with a fitting duality dress (black/white stripes; the checkerboard/duality was an extremely prominent symbolism/motif in the Disney/Burton film also) and Cheshire Cat necklace. Nolwenn is very popular in France, by the young and old alike.  

Last one: an earlier 2003 Nolwenn music video for 'Follow a Star' (Suivre une étoile). At the start she appears to lay a tarot card on the table, it looks like a version of 'The Star' card which obviously fits with the 'Follow a Star' theme. An eight pointed star symbol is near-subliminally flashed at numerous times in the video. This symbol, while on the surface appears to represent the sun, it is more specifically the Sumerian/Babylonian star of Inanna/Ishtar (linked to Venus, the Morning Star which represents Lucifer the light bearer in the occult world), at 0:26 over the sun, at 1:40 as ripples in a pool of water, then engraved on a couple of rocks (one pictured below), on the sun's reflection in the lake 02:51. So you get the picture that this video is reasonably occult in nature as Nolwenn 'follows the star' of Ishtar (Venus/Morning Star/Lucifer) before ending up on water (probably due to the card's use of water).

Another early M6 (in Loft Story, the french version of Big Brother) doll made the news in recent years: Loana Petrucciani, an ex-gogo-dancer who played a provocative "big boobs - no brain" role in reality shows and helped launch the show in France. In 2009 she was found unconscious, beaten in her bathroom. The police found GBL in the house and, after telling them at first that her boyfriend/producer was involved, she later changed the story, telling in the media that she remembered nothing. She has attempted suicide multiple times since then, and has been forcibly taken to psychiatric hospitals on a couple of occasions.  The first picture below was used in the news when this "accident" occurred, the second is from the video for a cover song of Brigitte Bardot she made. 

During her recent troubles she had very limited public activity but in August of this year she was photographed (in probably one of those staged 'paparazzi' scenes) doing the usual thing with a serpent that they seem to always get them to do.

The butterfly breastplate/bra thing is from her video 'Comme Je T'aime' (above) which features some standard MK symbolism with, the butterfly on Loana and she also is masked in it, the carousel (spinning/dissociation, used in internal structures) and other circus MK related themes (a la Britney Spears' Circus, they are like circus acts whose lives are constructed around performing for the masses' 'entertainment'/distraction/programming through the mass-media's constant coverage of them).

One more I'd like to add before we finish, who has also used the circus mind-kontrol theme in a video is French R&B singer Shy'm, who is relatively new. I am referring to her most recent video 'Je Suis Moi' (I am me) which contains a lot of pertinent symbolism (duality, checkerboards and black/white stripes are a constant) and the lyrics hinting at her confused identity/personality. Shy'm dances on a pedestal like a puppet on a string, as well as with two 'mimes' (alters), all wearing black and white duality stripes on one leg. She is spun around on a hypnotic black/white spiral as she is used in the circus knife throwing act (the knife throwing symbolic of trauma, the spiral and spinning symbolizing the dissociation). There is also a kitten programming reference (the woman in the cage where the lion used to be) in there which seems pretty out of place, but is very much in context with the rest of the video if you get the deeper meaning. I am sure some of her other videos also contain similar symbolism (there is certainly a lot of black/white duality in some of the clips I have seen).

By Mathieu Pilars and Benjamin Singleton

Megan's Mannequin

2010-06-14T07:53:00.000-07:00

Quickly cobbled this one together because I'm being so damn slow with other posts with more writing in them (this kind of post seem to flow pretty fast so wanted to get one out after some minor 'distractions' and general burnout). I thought this new shoot and video from Interview Magazine with Megan Fox was interesting enough to post quickly (in the interview some brief mentioning of them being puppets/tools for the Hollywood machine), doesn't need much elaboration featuring the kind of mannequin programming (this mannequin was apparently created specifically in her likeness by the way) showing her in a frozen (mannequin/statue-like) possible trance state on the bed with it and other scenes (I think this post has some more detail on mannequins, which is a basic kind of hypnotic 'freeze' command anyway). Note her and the mannequin in a duality checkerboard floor corridor which she drags the mannequin down to kill it. The final scene involves her symbolically killing herself (possibly killing an alter or something) via the mannequin by strangling and gagging it with her hand. This all goes along with the narrative they have created for her in the media with quotes from her saying that she has "mental problems" and her tattoos and such that may point to her potentially being Monarch programmed.

The music going along with the video was clearly chosen for its MK/mind control lyrics, the track titled 'Master's Hands' by French actress/singer Charlotte Gainsbourg (the woman from Antichrist, with themes of trauma/dissociation/hypnosis/explicit sex etc), i.e."Pull my strings and cut my rope, Rattle my frame and shatter my ghost, And if I can't get back in line, They're gonna break me down...".

The shoot is the work of Illuminist/celebrity/fashion photographer Craig McDean, who has photographed many others (see this link for some of his portfolio), some have featured in this blog like the above Rachel Weisz (+ husband and child) shot. One from a typically dualistic shoot of kabbalistic (former?) slave Madonna below.

Below is another one by him of the MK half of the Olsen Twins, Mary-Kate in an Interview Magazine shoot. Just to make things more relevant to the post, Megan's first film role, after being strictly raised in Oak Ridge, Tennesse (lots of military stuff/history going on there, always a clue, the National Laboratory is listed in Deeper Insights Illuminati Formula as being involved in mind control/genetic Monarch research) by strict Catholic parents and the usual training for performance from age 5 and modeling by age 13, was in an MK and Ashley movie 'Holiday in the Sun' at age 16 (still from it below, in her stereotypical early role).

To round off this short post (I have already covered Jennifer's Body briefly in older posts + other stuff to do with her like the tattoos, see link near start; her new tattoo by the way 'Those who danced were thought to be insane by those who could not hear the music.' seems to come from some relatively unheard of poet Angela Monet, as someone interestingly noted in the comments the direct quote can be found in David Icke's 'Tales from the Time Loop' from years back) her more recent films have been relatively occult themed like 'Jennifer's Body' which I have only recently watched. She enters some kind of dissociative state while watching a band in her small town of 'Devil's Kettle' where a fire breaks out and is taken by the band in their van in this 'out of it' state, and is then sacrificed in a Satanic ritual by them wanting to make it big (an exaggeration of what bands have to do to make it big in reality, for the most part sell out to the music corporate/Illuminist overlords) and she becomes possessed by a succubus demon because she was not a virgin, and her friend Amanda Seyfried kills her (not worth covering in detail in my opinion, don't want to make this post longer than it has to be).

Butterfly motifs (also a symbol of female sexuality and transformation which I have mentioned in the past) and obviously plenty of occult themes are prevalent throughout. Some of the flashbacks to Megan and Amanda's character childhoods have more Monarch symbolism (Amanda's character, who as an adult always wears butterfly earrings and such, is covered in more butterfly print; she will probably pop up in some future post and will post some of her symbolic shoots etc) with barbie dolls, some twinning programming suggestions (at one point one sucks the other's blood or something) and other things also.

Her most current film is Jonah Hex, which is a loosely occult themed Western comic-book adaptation where she plays a prostitute Lilah who has spent her life in a brothel, a typical role. Perhaps more pertinent to Monarchs is her role alongside Mickey Rourke and Bill Murray in 'Passion Play' which she plays a "caged circus freak with wings", which is "a magical-realist drama in which Fox’s character sprouts wings at puberty and is drafted into a traveling circus" (from Interview piece). Below is a leaked camera phone photo from the set of Passion Play trapped in her glass box/cage, the exposed photo apparently embarrassed and infuriated her in a similar way to her character on display in the actual film is supposed to feel.

Anyway, future posts are forthcoming but I am still going at a leisurely pace (though I put this one together in like 1 hour today so I'm not exactly consistent), the Charlotte Lewis/Golden Child post is so delayed that it doesn't seem relevant anymore but will put it up soon anyway (there is some interesting stuff in it).

Edit [June 2011]: No one will probably see this as this post is like a year old (if anyone does, I do plan on posting again later this year by the way) but here is a photo from late April 2011 of Megan with her current husband (slave/handler?) Brian Austin Green donning an Illuminati T-shirt going for a pizza at Lucifers.

In Captivity for the First Time: Aves Cyrus

2010-05-05T09:12:00.000-07:00

Quick post on Miley Cyrus' latest video (yawn, I know), no time to elaborate really (exam on Friday, all finished on the 18th). Needless to say Miley's "evolution" is going exactly as someone who reads this blog would expect.

The British director Robert Hales has directed other videos from fellow Disney Monarchs Britney Spears, Jonas Brothers and some other videos I have covered (Demi Lovato . From the introduction, you get the feeling of a Nazi-like American elite viewing their dehumanized ritualistic creature spreading her dark angel wings (Lucifer?), naturally a stuffed ram for Baphomet rears it's head among all the bird (Avez just means bird btw; so 'Bird Cyrus') feathery dehumanization. Miley's peacock feathers are another commonly used symbolic ritual feature (eyes, royalty, Hera and such).

I am led to believe that the top album artwork is fake but the image on it of her in a more constrained bird cage does come from the shoot for the video (I have a suspicion that it was going to be official but they got cold feet about putting such a psychologically dark image on her album cover), the photo itself has not been released so am including it here.

See more of the bird cage MK theme (and plenty more dotted around the blog), at it's simplest it is just psychological symbolism of being a beautiful creature kept in a metaphorical cage (mental prison/slavery) but perhaps (or not) 'Avez Cyrus' is the name of her 'caged bird' alter. The video even features a shattered glass scene as the frenzied animalistic group of Miley and co run through the museum, symbolizing the shattered/fragmented mind part of the programming.

Miley's painful looking movie 'The Last Song' (from the author of 'The Notebook'... kill me now, I am not sitting through this!) has Miley's daddy played by Greg Kinnear (whose father worked for the government, has been in some pertinent movies) in an interesting looking T-Shirt, wink wink from her handlers ;)? Sorry if I am being a bit too irreverent at times (I'm sure it annoys some) but like I said, there is no point in feeling overwhelmed, utterly powerless and getting depressed over these things. Anyone who wants to analyze in detail the video and the lyrics (which have MK themes in them) in the comments feel free (very short of time, another post up in a few days), I appreciate your input; also Public Vigil has a post on MC for a deeper look at the esoteric/mythological themes which are worth looking at. Alternatively here is Hollywood Records (Disney) humorous description of the song: "a self-empowering song in which Miley asserts that she has to stay true to herself in relationships". And her official descriptions of the meaning of lyrics and video, again a nice little story but one that doesn't sit with its dark themes (obviously completely ignoring the, very intentional negative impact this will have on her Hannah Montana Disney fan base of [already over sexualized by Disney] young girls).

Looks like a rock band (most of them long before my time, though I vaguely recognize it) t-shirt so someone can probably fill me in on where exactly it is from and get a better image of the motif (Edit: I'm told it it is Pink Floyd which makes sense, I searched for it and uploaded the full shirt to my imageshack), the "Illuminati" symbolism is clear and obviously conscious on the part of the filmmakers, and putting it on display in the trailer makes it all the more likely that someone like myself would notice it.

Rihanna The Last Occult Programmed Rockstar On Earth

2010-04-27T08:42:00.000-07:00

Yesterday was two years to the day that this blog first started (26th April 2008), I have bigger posts in the works but wanted to put out something quick and easy to get me back into a posting mentality.

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Rihanna's live performance of 'Rockstar 101' in her Last Girl on Earth Tour was interesting in that it pretty much summarized what a 'rock star' is in the backing video with a colossal Baphomet ram skull (how is that supposed to fit into the 'the last girl on earth' narrative?) overlooking the black latex clad and gold horned mask wearing Rihanna. Up and down pointing triangles (as above so below, you get the drill) and of course what it's all really about for the marionette manipulators behind the music industry; the $$$, power and control. I realize people are probably bored shitless of Rihanna, Lady GaGa and co (I know I am, sort of) but they make it so easy. I was tempted to just post images/video with no words as it is all reasonably self-evident and I won't be retreading over the whole masks, mannequins, militarism, robots, dehumanization and other MK themes' significance throughout. I also probably did not pick up on a lot of stuff from the tour (having only seen short clips from it) and do not plan to cover the symbolism in some of her more recent videos as most stuff seems to have been well analyzed elsewhere and generally things get covered well by the likes of Vigilant and others so will not be focusing on music videos and would like to get into some posts on other things in the media.

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Rihanna's mind control is shown in the tour's introductory video for the her song 'Mad House' where she is (see top video), roboticized with a metallic mask forced over her face (like porcelain mask programming) and implanted with chips for control over the now cybernetic Rihanna (plays into transhumanism too obviously, good article at VC on that here). It continues (below) with her inside one of those 'programming pods' (seen in other things I've posted on; if you think of more advanced isolation/sensory deprivation tanks for entering altered states in programming) where a Dream Sequence is initiated symbolizing Rihanna "becoming" the characters she portrays for the live show's narrative (last girl on Earth apocalyptic stuff, based partly on 'The Omega Man' apparently). A black and white shot of her face traumatically screaming while she is kept under, looking calm and content in the pod (but screaming on the inside is the clear implication). Naturally her kitten programming is symbolized by a tiger face superimposed over Rihanna's face. After all the usual subliminal flashes of skulls and all that fun stuff, she eventually performs among mannequins and masked backing dancers (photo below videos).

[vid above mad house]

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"A world of her own... A world made of her dreams... And nightmares..."
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From 'Hard' comes the militaristic Mickey Mouse hat, it is all ultimately about influencing the kids after all, as evidenced by her singing the aforementioned ultra-suggestive 'Hard' followed by the explicit rough sex anthem 'Rude Boy' at the Nickelodeon Kids Choice Awards 2010. Come on kids, sing it with me! (<>"SO HARD SO HARD... Come here rude boy, boy, can you get it up? Come here rude boy, boy, is you big enough. Take it, take it, baby baby, etc" Rihanna's poor grammar here is absolutely shocking, it should be "'are' you big enough"! That was a joke, I don't mean to make light of a serious issue but I feel it is important to maintain some sort of sense of humor. The lyrics for the performance were apparently changed to "is your love enough" and other slight alterations but please, the children there would know the explicit lyrics and sing the ones they know. How brainwashed do you have to be to see that this is not okay and shows exactly the kinds of minds controlling the music/entertainment industry who would allow this to go forward. People act like "what were they thinking?!" (not as much as one would hope though) when they showed this, but these things are meticulously organized and thought out. Rihanna's handlers could easily have had her sing any other song but they went with three completely inappropriate choices (appropriate though, if you know what is going on).

The themes of militarism, Rihanna entering, sitting on a pink tank above it's phallic cannon (obviously conscious suggestiveness here in the tank's pink colour and the phallic cannon also playing into the 'HARD' song she performs to the kids). Then after 'Hard' two twin plumes of white smoke shoot up, ejaculating (is the pretty blatant implication here, it would be illogical to not make that connection following from 'Hard' and the lyrics sung at that exact time) either side of Rihanna and 'Rude Boy' begins when she dances with the big robots dominating over her. 'Don't Stop the Music' wraps it up and the pink tank, sexy militaristic dancers and twin robots all participate, the song itself is about meeting a guy in a club then (logic suggests, based on the lyrics) fucking him, so obviously fitting the family friendly themes of Nick's Kids Choice awards then. I am reluctant to be so explicit in those descriptions (I can imagine the response I may get) but I feel it is so obvious that it needed to be said.

Above Rihanna on the pink cammo phallic tank and the backing militarist dancers with their over sized "pink wrenches" (replacement for the usual military gun phallus). Below, "slimed" ('sliming' is a yearly ritual Nickelodeon do at every awards, Katy Perry got it this year) kids directly following the song 'Hard' (what ever could Nickelodeon be suggesting here by cutting to that I wonder...).

They also cut specifically to these children with (not) "Peace" symbols and butterflies on their t-shirts and whatnot, no doubt to go along with the imagery of the performance.

Below pics are from the Last Girl on Earth tour to wrap this short post up.

But she is a christian and does charity work!! She's just doing her thing playing a character, get a life! Listen to the interview, she explains all of this! Sorry, but "fans" crack me up. I was listening to Christina's explanation for why she went with the Bionic theme and it almost made me laugh out loud... fans lap up all their adored "artist's" nice little stories about why they use certain things though and fair play to them, what reason do they have to question them, none that would benefit themselves that is for sure. It is worth noting who is behind these tours and who may be ultimately responsible for including these themes in many of the Monarch performers' tours, Jamie King who was the creative director of Britney's latest Circus tour and many more.

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"You are the consumer (and that is all you are to them)... She... Your soul option..." Intro video to the Rockstar 101 performance. So this quick, rushed post is really just to get the ball rolling again and get me back in posting mode, more posts up soon on some things away from the music industry. I will probably put up a Caprica post in a couple of days, main focus on the actress playing the Cylon, I also want to get some movies/actor posts going and my Uni commitments finish in mid-late May so will hopefully be able to pick up the pace by then. I was wondering if anyone had any alternatives to 'LinkWithin' where you still have image links but you can manually choose which posts it links to (or just an improved one that is similar but more precise in which are the most related posts) because it obviously struggles to deal with the number of posts and whatnot but it is a good way of linking to other posts so may just leave it if there are no good alternatives.

Fugees video director 'had six children with own daughters to preserve his own bloodline and survive Doomsday'

2010-03-13T06:32:00.000-08:00

[This is the kind of person MTV employs to make videos and gives awards to. Sounds like typical end times cult MK programming used here by this depraved sociopath (and used by many "cult leaders" before him), who may be programmed himself ('monsters' like that are not born as 'monsters'). By the way, just to reiterate once this weight has been lifted (finishing education) in about a month I should be able to return to normal posting (want to do one on the recent death of Corey Haim/Lost Boys and such) and catch up on emails, so apologiez for the inactivity. EDIT: Thought I should let people know, if they see this anyway, that the blog is on hiatus until late April so I can focus on work so don't expect new stuff till then. Daily Mail article.]

An award-winning video director repeatedly raped his daughters to create a 'pure' bloodline that would survive Doomsday, a court has heard.

Aswad Ayinde, who won an MTV award for directing The Fugees' 'Killing Me Softly' [good song, always found the video to be very boring personally], fathered six children with his daughters from the mid-1980s until 2002, New Jersey prosecutors said.

Many of the rapes took place in an abandoned funeral home. He even delivered the babies himself in a bid to keep his depraved plot secret.

'Depraved': Aswad Ayinde is accused of raping his daughters in a funeral home

Ayinde, 51, also had nine children with his former wife, Beverly, and amother three with two other women in Brooklyn, according to court documents.

Testifying at a pre-trial hearing in New Jersey, Beverly Ayinde said: 'He said the world was going to end, and it was just going to be him and his offspring and that he was chosen.'

Ayinde, also known as Charles McGill, faces the first of five trials next month - one for each daughter he allegedly abused, said prosecutor Lisa Squitieri.

The video director faces 27 charges including aggravated sexual assault, sexual assault, lewdness, child endangerment, aggravated criminal sexual contact and criminal sexual contact.

A young woman who said Ayinde was her father answered the door at the home but refused to talk about the case.

The Fugees: The group's video for Killing Me Softly was directed by Ayinde [there is definitely more to the Fugees also that might be worth looking in to.]

She told the New York Daily News: 'It's a painful thing. It's not something we're going to talk about outside of our family. The truth is coming out now, after a long time. That's it.'

Joseph Del Russo, a prosecutor, said: ‘The witnesses’ statements describe a depraved parent with a Messianic complex.’

Some of the children produced through the incestuous unions suffer health problems.

Mr Ayinde, who also describes himself as a soft-drink entrepreneur, eluded child welfare investigators by moving from town to town in New Jersey and Florida from 1985 to 2002.

The case echoes that of Austrian rapist Josef Fritzl who secretly kept his daughter captive in his cellar for 24 years, fathering seven children.

Ayinde allegedly beat his children with boards and kicked them with steel-capped boots to stop them speaking about the rapes.

Many of the alleged rapes took place when the family was living in an abandoned funeral home in Paterson, New Jersey.

Mr Ayinde reportedly renovated a room for himself but forced the rest of his family to live in the dilapidated portion of the building.

Two babies, while those that survived never obtained birth certificates and were home-schooled.

Mrs Ayinde, who had nine children with her husband, said: ‘He was having regular relationships with all the girls. I wasn’t fighting back. I was afraid to fight back.

‘I was afraid to ever accuse him of being demented or being a paedophile. I knew the word, but I wouldn’t dare use it because it would result in a beating.’

At his ex-wife’s home in New Jersey, a young woman who said Ayinde was her father told the New York Daily News.

‘It's a painful thing. It's not something we're going to talk about outside of our family. The truth is coming out now, after a long time. That's it.’

Mr Ayinde was arrested in 2006 and has been held on a $1million (£660,000) bond after arriving for a hearing with a woman and child despite a ban on contact with children.

CIA 'caused French village to go mad in the Fifties by spiking baguettes with LSD'

2010-03-13T06:07:00.000-08:00

[Interesting Mail story from when they were testing the MK effects of LSD in the 50's, MI6 did similar experiments (along with all other intelligence agencies working for the establishment) in the early days of understanding the drug's effective use in mind control, in typical unnecessarily brash CIA style. Why bother with this? It's not like they haven't got enough of their own soldiers and citizens which they happily test on with less likelihood of being caught. Probably the agency's "humor" at work, I'm sure the agents based in the village were entertained by the show.]

The CIA caused an entire French village to go mad nearly 60 years ago by spiking their baguettes with the mind-bending drug LSD, a new investigation claims.

Hundreds of residents in Pont-Saint-Esprit, southern France, were driven to mass hysteria and hallucinations in the 'cursed bread' incident in August 1951.

Five people died and dozens were sent to mental asylums in strait jackets in one of the most bizarre mysteries in France.

Pont-Saint-Esprit: Villagers here were driven to mass hysteria and hallucinations

One man tried to drown himself, screaming that his belly was being eaten by snakes. An 11-year-old boy tried to strangle his grandmother.

A man shouted 'I am a plane' before jumping out of a second-floor window and breaking his legs.

Another saw his heart escaping through his feet and begged a doctor to put it back.

Baffled villagers had always blamed the incident on a local baker whose bread could have been tainted with mercury or psychedelic mould.

But U.S. journalist H P Albarelli says he has now uncovered CIA documents revealing the agency caused the madness to test the effects of LSD in a secret mind-control experiment.

The incident, which took place at the height of the Cold War, was initially investigated by a Swiss pharmaceutical company Sandoz who have been revealed as the same people who secretly supplied the CIA with LSD.

One note uncovered by Albarelli is a transcript of a conversation between a CIA agent and a Sandoz official who mentions the 'secret of Pont-Saint-Esprit' and explains it was caused by diethylamide the D in LSD.

Mr Albarelli added: ‘The real smoking gun was a White House document sent to members of the Rockefeller Commission formed in 1975 to investigate CIA abuses.

‘It contained the names of a number of French nationals who had been secretly employed by the CIA and made direct reference to the Pont St. Esprit incident.’

Locals in Pont-Saint-Esprit still want to know what caused the mass insanity Villager Charles Granjoh, 71, was one those affected.

He said: ‘At the time people brought up the theory of an experiment aimed at controlling a popular revolt.

‘I almost kicked the bucket and I'd like to know why.’

Terry Richardson: Illuminati FTW

2010-03-02T09:51:00.000-08:00

SUBHUMANS and fancy footwear...

[Pixelated (hopefully sufficiently) Explicit Content Warning]

Relatively quick post, the above photo by Terry Richardson employs Illuminati symbolism in his magazine spread called 'New York Dolls' for Vogue (Victoria's Secret model Sessilee Lopez). Whether it is a specifically designed set or if it is just random graffiti on the wall, Terry has obviously chosen this spot consciously due to the imagery in the background (and not just the Illuminati motif). He has a photo book out called 'FTW' (which I assume means 'For The Win', I could be wrong ['Fuck The World'?] but that is what I relate it to anyway; so 'Illuminati for the win') perhaps suggesting he drew the Illuminati pyramid and all seeing eye motifs on the wall himself, not that it matters as the conscious symbolic intent by Richardson is there either way. Terry's occult association (or at least interest) is compounded by the Lily Donaldson shoot for Vogue Paris which I posted in full here.

Terry Richardson is the son of Bob Richardson, a photographer whose heyday was in the 60's (he destroyed most of his portfolio, probably consisting of more Nazi themed shoots and whatnot) and suffered from schizophrenia and other psychological problems (which Terry says he inherited, can read about his childhood at this interview, potentially some dissociation going on there). Terry is notorious in the "fashion" world for taking advantage of his position of authority as a world-renowned photographer to manipulate the young, impressionable young models to service him sexually. Most of Terry's more explicit pornography (not even disguised as "art") can be found in his shows/galleries and various books such as Kibosh and Manimal. The latter previewed below shows (apart from this guys depravity) the theme of dehumanization in the title and he recreates some of the sickening Abu Ghraib scenes of torture, you can see one re-enactment below in which prisoners were forced to perform fellatio on each other as part their dehumanizing humiliation (this sadistic mentality comes from the top brass down; some of the 'thumbs up' shots from the Abu Ghraib remind me of Terry's almost trademark use of 'thumbs up' [which I think is more a phallic thing], even the facial expressions [that sadistic smile and glint in their eyes] seems similar to me).

Terry invites all aspiring models to model for him nude, be objectified by the all-seeing camera then used as a sex-object. "Hello, if you are male or female and interested in posing nude for Terry Richardson please contact us by Email." (quote from 'Model for Terry' link on official site) If you are apprehensive, at least he will set you at ease by getting nude himself, what a caring and thoughtful individual he is! [/sarcasm] "At first, I'd just want to do a few nude shots, so I'd take off my clothes, too. I'd even give the camera to the model and get her to shoot me for a while. It's about creating a vibe, getting people relaxed and excited. When that happens,' he adds, grinning his goofy, adolescent grin, 'you can do anything.'" If you are not MK'd (and I accept most models are not, but some genuinely are victims of Monarch [trauma-based] mind control, which I base on the likes of Karen Mulder's example), submitting to the fashion industry's predatory photographers certainly is one way of furthering a career as a model in the fashion industry. Terry Richardson freely admitted to this when he joked about it saying, "It's not who you know, it's who you blow. I don't have a hole in my jeans for nothing." This guy typifies the exploitative, predatory, dehumanizing and objectifying (etc) nature of the fashion industry as a whole (and the entertainment industry/media in general controlled by a cabal of "elite", similarly depraved maniacs whose message is forced into the masses' consciousness through the subversive symbolism in their pervasive magazines/billboards/tv shows/clothing/etc; with explicit posts like these I hope to demystify, remove the gloss hiding the true nature of these industries).

From Kibosh, note fairy/butterfly costume perhaps suggesting her programming.

There was much speculation that the photographer who was described as essentially molesting an underage model was Terry Richardson in Sara Ziff's documentary 'Picture Me' (see this post for details), apparently he only works with models over 18 but there is often a clear underage/lolita theme pervading through many of his shoots (and the rest of the fashion industry for that matter) suggesting perhaps that the urge is there. It may be him (the description of said photographer stripping naked with the model and his assistant asking her to "grab his cock and twist it real hard. He likes it when you squeeze it real hard and twist it." sounds a lot like Richardson's M.O. [see this pixelated image which was used by Jezebel to suggest it was him]), but the ones that appear squeaky clean on the surface tend to have the most to hide I feel so I doubt he is the worst by any means. The below campaign shot by Terry for Lee was criticized for it's Lolita overtones just as one example (of an insane amount).

Russian model Natalie Vordianova (click for her Monarch and Alice in Wonderland photoshoots) pictured below in another typical of Terry, Lolita scene.

A few additional Natalia images (from FMD, above set by Michael Thompson featuring prominent Monarch butterfly on left image, part of a larger butterfly themed spread).

Below Natalia wearing Lolita sunglasses, taken by Terry on their first meeting in Paris.

Above is Monarch programmed multiple Britney Spears' recent shoot with Terry (on-camera their relationship seems respectful, off-camera he probably really did "put the notch on the belt", which knowing him was probably also a euphemism for sex) for Candie's with Lolita themes (which are pretty much a constant throughout Britney's career, her debut video and the 1999 LaChappelle Rolling Stone shoot being the most well known, holding a Teletubbie on the cover, pink girl's bike with 'baby' written on her shorts, numerous dolls, some porcelain in her bedroom and other photos from her, and symbolic of her childhood programming), she was also shot by other Illuminist photographers Annie Leibovitz (who shot the aforementioned Vogue Vodianova Wonderland shoot and has worked for Disney as I have gone into) and Mark Seliger, all three for Candie's print ads (candy being an obvious sexual suggestive reference I've covered, especially associated with Lolita and paedophilia).

Terry's appears to use Disney Princess programming (hence the appropriate triggering DP imagery), the above photo with one of his model victims wearing a child's Disney Princesses backpack, taken from his blog (as are the images below) with the caption "LA girl.....".

More random images from his blog below, including the odd caption, "Doll with a broken leg in a wheelchair".

"Three Kittens... Meow!" - Caption from his blog, showing kitten programming as it obviously isn't just a statement of what the image in question shows. Below wearing a former MK cult leader Charles Manson t-shirt.

Terry with MK (looking traumatized in fetal position below) and Ashley.

"Crucified for your sins..."

I'm not sure how worthwhile a long-winded post on Richardson's portfolio would be as most of it is just an endless array of phallic and sexual suggestiveness (like the above infamous and fairly unimaginative 'milking cow' photoshoot), clearly there are Freudian complexes behind his photography and his sexual neurosis (going back to his childhood which I went into earlier and he is aware of if you read his interviews, also take a look at the 'MOM' part of his site). Here are a few I've pulled from his personal blog, whether or not he is a Satanist, he is certainly into the concept of Satanism (potentially just his sense of humor however that Vogue Paris spread I think suggests otherwise), posting images like the below demon/gargoyle/djinn with "Beelzebob" as the caption and is apparently into his "Satanic" heavy metal.

"Rape Rock" band The Mentors appears to be one of his favourites (this album cover for 'Up the Dose' [electroshock] should give you a good idea of what they were about and with tracks associated with MK and the occult [yes I am aware that most people view these rock/metal bands as using these themes merely as shock tactics to sell records but I feel that is quite a naive perspective]; the lead singer apparently had something to do with Kurt Cobain's suspicious death, I'm sure the Kurt Cobain thread on the Icke forum has info on that), along with Slayer (checkout their video for Bloodline, note the kitten; obviously all the occult themes on their album covers, songs and lyrics go without saying). These images of the t-shirts (he collects them) are from his blog just to clarify.

Pictured below in a Mentors t-shirt with model Eniko Mihalik at the 2010 Pirelli calender shoot (along with other models I have covered like Miranda Kerr, Daisy Lowe and Lily Cole; no point in posting images, a few dehumanization and phallic imagery but on the whole it is just bland titillation), the below photo of Eniko as a kitten was taken by Richardson for a Vogue calendar which I posted a while back in the Eniko link.

Here is Eniko's obligatory Monarch photo shoot below (not by Richardson, taken for Numero magazine by Greg Kadel), with Eniko dressed all in witch-like black in a backdrop reminiscent of the poppy field in the Wizard of Oz programming scene (poppy field sends Dorothy to sleep/into trance) to go along with the Monarch butterfly which has her transfixed/mesmerized.

Posting will continue to be sporadic for the next month or two as I need to focus on doing Uni work (behind on dissertation), I do have some posts in the pipeline though so will probably finish them off (some are not far off completion) when I get a chance.

In high school Terry spent five years playing the bass in a punk rock band called 'The Invisible Government', now he has taken photos of the actual invisible government's main representative/puppet, Barack Obama. It should say a lot that Barack Obama appears to be a fan of Terry and had portraits of himself taken by him in 2007 for Vibe magazine, during the run up to the 2008 "election". The below photo I linked to a while back but is worth including properly in a post (remember that Terry Richardson is one of the most well known and well paid photographers in the fashion industry so this speaks volumes), his tattoos probably bare some significance too (like himself as a child tattooed on his chest).

Change we can believe in!

Saudi prince quizzed over murder of servant 'who slept at foot of master's bed'

2010-02-18T09:44:00.000-08:00

More evidence of the "elite's" inherent sociopathy, abusing and even killing slaves (seems to be how this 'servant' was treated) for sadistic fun has always gone on in the upper echelons of society. Western media has been focusing a fair amount on this kind of sadistic activity being carried out by Middle Eastern royalty (see UAE royal family member's sadism for another recent example) which, while no doubt true, may be also for propaganda purposes (all anti-Arab propaganda is good for conditioning us into war with Iran and blindly supporting Israel [sorry to go off-topic, but the whole Israeli assassination squad story has a darkly comic aspect to it in how much Mossad doesn't seem to give a shit any more about being seen in public to do all the messed up stuff that they do... smile for the cameras, brainwashed Mossad asssassins]), there would be a total media blackout if a member of a Western "elite" family did this which has likely occurred many times before. From this Daily Mail article (bigger and more image/symbolism focused posts up soon btw).

Detectives are continuing to question a Saudi prince over his servant's murder as new details about their relationship become known.

Sources have compared it to a master and servant relationship and it has emerged that the aide may have slept on the floor at the foot of his master's bed.

The prince has been held on suspicion of killing the man at the Landmark Hotel in Central London.

Scotland Yard detectives have also seized CCTV footage of an alleged assault by the 33-year-old multi-millionaire on his aide in a hotel lift last month.

Officers are examining the possibility that the servant was the subject of regular abuse from his master.

Sources at the five-star Landmark Hotel told the Mail that last month's incident was recorded and had been handed to murder squad officers.

The episode is believed to have happened about three weeks ago, soon after the Saudi prince - son of a nephew of King Abdullah - and his entourage checked into the hotel.

Police believe the murder happened during a row at the hotel, but they have found no obvious motive. This prompted speculation last night that the servant was subjected to gratuitous violence.

Police are expected to examine whether the aide suffered regular domestic abuse at the hands of his employer.

Scotland Yard refused to comment yesterday about the previous alleged attack. But a hotel source said: 'Police are looking at CCTV from a previous incident in January.'

The suspect, an international playboy, has been staying at the Landmark for three weeks, spending up to £100,000 on five rooms including a £1,000-a-night suite.

It is not the first time that Saudi royals have been accused of mistreating their servants.

Princess Hind al-Fassi and her husband, Turki ibn Abdel Aziz, brother to Saudi Arabia's late ruler, King Fahd, were accused by Egyptian and Filipino employees of mistreatment in 1998.

Several of their servants tried to escape a hotel, saying they had been treated as virtual prisoners. One broke his back when he fell from a rope made of knotted sheets.

The murder inquiry began after post-mortem results showed the 32-year-old victim died of neck and head injuries.

This contradicted claims by Saudi security sources stating the servant's death was caused by an ear injury sustained during a mugging.

But Saudi Arabian government sources last night insisted the prince had no involvement with the man's death. They claimed the servant died after an ear injury, despite post-mortem results revealing the victim was strangled.

'This young prince has nothing to do with the issue,' a security source said.

'Unfortunately, one of his private entourage was mugged in the street. He was cut on his ear, but doctors discharged him from hospital because they thought it was a superficial head wound.

'In fact the injury was very serious and he died later of an internal head injury.'

They were unable to explain how he also came to have been strangled.

Detectives were called to the eight-storey hotel after his body was found by a maid at 4.45pm on Monday.

The prince was arrested five hours later after questions were raised about his account of the incident, which was not witnessed by anyone.

Detectives have been granted more time to question the suspect. As a minor royal he does not qualify for diplomatic immunity.

The Saudi embassy refused to comment yesterday but a senior diplomat is believed to have visited the arrested man in his cell.

R.I.P. Lee Alexander McQueen

2010-02-11T09:30:00.000-08:00

I was deeply saddened and affected by the news today that British fashion designer Lee Alexander McQueen had passed away in an apparent suicide triggered by the death of his mother about a week ago. The suicide of his friend Isabella Blow (who helped discover Lee, also in the above David LaChapelle photo for Vanity Fair making it quite ominous, note the skull looking thing bottom right, both are now dead, holding McQueen's train who is in drag, brandishing a flame in front of a burning Hedingham Castle and a fallen knight) three years ago was apparently also a contributing factor; these suicides in the world of high fashion are quite indicative of the fashion industry as a whole. I'm not particularly in the mood for speculation but Isabella's relationship with her military office father is somewhat suspicious (Sir Evelyn Delves Broughton) and her mother's behavior following her brother John's death age 2 who drowned in a pool then her mother calmly went upstairs to put lipstick on (see this Mail article for details on her messed up "elite" family and also has info on her former husband's). Isabella's husband (aristocrat art dealer Detmar Blow) left her "so Detmar could father a son with a fertile woman and ensure his particular branch of the Blow family would remain in charge of Hilles" (typical "elite" obsession with keeping power within the bloodline). During this period she underwent electroshock "therapy" for "bipolar disorder" (usually just used as an umbrella [mis]diagnosis for various psychological disorders like DID; these electroshock sessions may have had something to do with her repeated suicide attempts, potentially where her self-destruction programming got started) before eventually successfully committing suicide after numerous attempts. Now McQueen has joined her in committing suicide, it has been reported that he hung himself.

Isabella below with photographer David Bailey (above with McQueen).

With milliner Philip Treacy, whose career she helped get off the ground also (symbolic hats and the boy's faceless black mask is the most sinister). Below with Kuwaiti royal family member Sheik Majed al-Sabah (serpent-like pink/purple headpiece).

As far as I am concerned they are just more victims of the fashion industry and the "elites" that control it, I won't post an article from the media as they just seem to be endless tributes and clichés when someone connected dies. So here is my quick 'tribute post' of a few images pertaining to him I haven't yet posted, I was genuinely upset by this news when I heard it on the radio driving home today (especially because I was a bit worried my posts may have contributed, though I considered it very unlikely, a commenter stated that it had and claimed to know someone who knew McQueen personally, but I suspect they are not being truthful [Edit: My initial reaction of sadness and shock had nothing to do with the commenter, looks like I was correct in that they were full of it, just someone using this man's death to mess with the blog for their own amusement.]). Bearing in mind his death now, his skull and bones themes in his final fashion show are all the more significant, arguably foreshadowing his own demise.

Alexander McQueen wearing the White Rabbit head (I think it is him anyway, they are interviewing him in the piece called 'Alexander McQueen' so it's supposed to represent him either way). McQueen at the end of one of his fashion shows as the White Rabbit below.

From "McQueen's Kingdom" (W Magazine, photographer Steven Klein) with the masked models, all in black, one riding Satan/Baphomet, the other two hanging in the air, one upside down.

Here is one of his campaigns from last year, with it's primary themes being multiple [personality] mirror and fractured [mind] mirror effects, black/white checker patterns and red.

Check out this post for some more videos of his various fashion shows featuring symbolic themes (particularly of note are the below occult one, checkerboard one).

Here is another intriguing show to finish which I had not posted from one of his Autumn/Winter 2001 show (carousel horses, venetian mask makeup) and after it in the same video, a short clip of a show the following year (model as the Spanish bull fighting impaled sacrificial bull).

Gigi Jordan Tragedy and Other MK

2010-02-08T06:32:00.000-08:00

A few news stories to cover in this post (cheers for the tip in comments). First off the tragic case of Gigi Jordan who killed her eight year old son (Jude Jordan Mirra) in New York's Peninsula Hotel in a botched murder-suicide attempt, before being discovered 'babbling incoherently' in a drugged, barely conscious state. Of course you have to expect many people to dismiss what she has said in her suicide note and in the past as the ravings of a delusional, suicidal woman who couldn't cope with her marriage breaking down and her son's autism. In the note she claims that her son was a rape victim who was in constant pain:

In a bizarre message intended as a suicide note, the wealthy one-time pharmaceutical company executive detailed a life of sadness interrupted by a single ray of hope: her only child, Jude.
"I hope Jude is in a better place," the 49-year-old Belgian wrote in the strange two-page note left in her 16th-floor suite at the posh Peninsula hotel.

At one point, Jordan suggested her son was a rape victim and "in constant pain." She mentioned speaking with a Wyoming child porn investigator about the sexual abuse of kids.

Ex-FBI agent Flint Waters "told me many rich people are involved," Jordan wrote. "Many wealthy guys trade child porn like a hobby."

For those interested in the symbolic architecture at the Peninsula Hotel (formerly called the 'Gotham Hotel') located on 5th avenue, 55th street; giving the the macabre Medea-like scenario a ritualistic air to it, the mother leading the child through the grandiose symbolic entrance (note the chandelier through the rising sun motif, confirming this symbolism; and the huge Solomon-like Twin Pillars) to his death, passing underneath the goddesses Pomona (fruit; forbidden fruit symbolism, in the 'Big Apple') and Diana who the elite are known to offer ritual sacrifices to (like Princess Diana), which I am not saying is the case in this scenario but should always be considered a possibility in these high profile cases. The very fact that she went there when she could have easily done the deed in the comfort of her luxury apartment in Trump Towers (she owned multimillion apartments there).

I suspect that she felt helpless in her situation, trapped in the predatory upper echelons of society, where (it might be hard for some to believe) there are a sociopathic manipulators more than willing to attend to the elite's pederastic tendencies (i.e. people who will befriend a mother then take their kid for 'day trips' [but really to the cult and/or rich pedophiles] or whatever, which may be the kind of thing that happened here and discovering this would inevitably traumatize and drive any caring mother near insane, leading them to believe their only escape is death).

Adding to this sense of helplessness leading up to this tragedy (assuming the media's narrative is truthful) is probably the fact that she was once arrested in Wyoming, "after claiming the boy was being molested by devil worshippers. Cheyenne Detective Tom Hood told the New York Post that Gigi Jordan wrote letters to a sex crimes investigator more than two years ago saying her autistic son was being abused by a cult. Hood says Wyoming officials briefly detained Jordan for a psychiatric evaluation. An examination of the boy showed no signs of abuse."

It seems likely that Gigi Jordan was on the Illuminist cult's watch-list of potential problems, I am skeptical that the boy was examined properly in Wyoming (often in situations like this the mother is written off as insane so they don't even bother to check, never mind the more likely scenario of the medical examiner being a paid-off pawn). Wyoming is the state in which Cathy O'Brien describes being subjected to Dick Cheney's perverse human hunting among other horrors, so seems heavily involved and corrupt (in terms of it's involvement with MKULTRA/Monarch, they no doubt have their own doctors positioned to take care of these kinds of accusations).

This is highly speculative (but logical) and I am merely stating it as a possibility bearing in mind her accusations, but the child's autism could be a symptom of his sexual abuse (a child shutting down, retreating from reality like that can be [of course in most cases it is not the cause, some have picked up on her pharmaceutical company/vaccine links] a result of failed programming and/or abuse) which I feel adds weight to Gigi's cult ritual abuse claims.

She amassed her fortune through the pharmaceutical industry and married wealthy entrepreneur Raymond Mirra. Her most recent husband Emil Tzekov (pictured above with Gigi and Jude in this deceptively happy photo; image source), Jude's real father (her ex-husband Raymond adopted him hence the surname Mirra [mirror?], but they both no longer have custody over the child and have been out of his life for years) is a New Age yoga guru, "who sells New Age DVDs ($14.95) and e-books ($5.95), offering "peace of mind ... maximum potential in both physical and mental activities."" Specializing in stretching, this is their site (Emil's myspace, specializing in splitting); his company's site also describes that he practices meditation which (obviously can be used for beneficial purposes) can be useful in training dissociation (people practicing meditation can sometimes suffer from involuntary dissociation to illustrate this) as part of cult programming.

Gigi's statement about 'God', spirituality and her child make her come across as somewhat MK'd, "In a Web posting on the site of a New Age fertility guru, Jordan had said having her child has "helped awaken a spiritual connection to God." "In learning how to release my fear of losing something I really wanted and to allow myself to believe I would have it," she wrote, "I gave birth to a beautiful boy, and experienced a greater depth of love and connectedness with my child." One must question how she goes from that extreme to ending this child's life (despite the difficulties of raising an autistic child). She originally hails from Belgium (where the Dutroux Affair/cover up occurred) and clearly loved her son, she may have spent that whole fateful night, and committed the act, in a dissociative state (potentially programmed to go to the Peninsula and end both their lives, we will never know).

Moving on to another article that caught my eye (thanks to a regular emailer for sending me this story) related to cult/"Satanic" Ritual Abuse and the establishment's continual need to keep the whole thing under wraps, I will just post the article as it needs little further explanation. Some will have heard of the case of Catholic Priest paedophile Father Gerald Robinson who had previously been convicted of murdering a nun (ritualistic murder, strangled then stabbed 31 times, including 9 times forming the shape of an inverted cross and other aspects pointing to an occult ritual slaying), the case against him and other priests' involvement was dropped by a judge because the victim did not file in time (the whole statute of limitations idea for such serious crimes as this seems ridiculous to me, the crime was still committed and should be punished however long after it takes for the victim to come forward, it seems like a pathetic excuse to stop the case from going ahead). Read on for details, article source link:

A lawsuit against Toledo priest Gerald Robinson, who was convicted in 2006 of murdering a nun, has been thrown out for being filed too late.

Judge Ruth Ann Franks of Lucas County Common Pleas Court said a Toledo woman's civil suit, alleging that she was abused by Robinson and others in satanic rituals when she was a child, was not filed within Ohio's statute of limitations, which in most cases is 12 years after the person turns 18.

The woman, now in her mid-40s, filed anonymously in 2005 as Survivor Doe along with her husband Spouse Doe, claiming that she could not have sued Robinson earlier because she did not know his identity until she saw him on television after his 2004 arrest for murder. Mark Davis, the woman's attorney, said he plans to appeal the ruling.

Judge Franks said in her 27-page decision, dated Tuesday, that while Survivor Doe did not know Robinson's identity, she knew at least four people involved in the abuse and therefore could have attempted to learn the other abusers' identities before the time limitations expired.

Judge Franks said child abuse may be the most "vile and vicious act that can be inflicted by a human" and that it stirs "very profound emotions," but "the law does not allow the court to operate on emotion."
She said Survivor Doe "could have sought assistance from law enforcement, and she could have attempted to act through other trusted individuals such as her husband" before the statute ex-pired.
Also named in the now-dismissed lawsuit were Gerald Mazuchowski, a Toledo lay Catholic; the Toledo Catholic Diocese, and St. Adalbert Parish and school, where some abuses allegedly occurred.

Survivor Doe claimed in the suit that she was sexually abused by the satanic cult between 1968 and 1975, and that her abusers included a hooded man "with evil eyes" and a hooded "fat" man who told other cult members what to do.

Judge Franks cited Survivor Doe as saying that she witnessed "her mother's participation in the ritual-type murder of a child during the satanic rituals and of her brother sexually assaulting her with a snake at someone's direction, also related to the satanic ritual abuse."

The judge said the Toledo woman began to remember the satanic rituals in 1994, kept detailed journals she calls her "life's work," and sought assistance from an attorney in 1994 about possibly suing her uncle for child abuse in a separate matter.

Mr. Davis, Survivor Doe's attorney, said he is convinced that "our case is even stronger this time … because the evidence is overwhelming that what she described is what actually happened."

He said he believes an appeals court will side with Survivor Doe's contention that the statute of limitations countdown should not have begun ticking until she recognized her alleged perpetrators.

Robinson's attorney, John Donahue, said yesterday that he was "very pleased" with Judge Franks' decision, calling it "sensitive to the concerns of child abuse victims" while also upholding the law - "that justice delayed is justice denied."

Robinson, 71, is serving a 15-years-to-life sentence at Hocking Correctional Facility in southern Ohio for the 1980 murder of Sister Margaret Ann Pahl. He was barred from ministry and has retired from the diocese but remains a priest because he has not been laicized by the Vatican.

Sister Margaret Ann's body was found, choked and stabbed 32 times, on the morning of April 5, 1980 - Holy Saturday - in the sacristy of the former Mercy Hospital.

Robinson was arrested by cold-case detectives in April, 2004, and found guilty of murder in Lucas County Common Pleas Court in May, 2006.

His legal appeals have been rejected by the Ohio 6th District Court of Appeals, the Ohio Supreme Court, and the U.S. Supreme Court. A petition for postconviction relief is pending before Judge Gene Zmuda in Lucas County Common Pleas Court, with a hearing scheduled for Jan. 22.

I'll finish with another facet of mind control, illustrating some of the (here very crude) manipulation/programming techniques used by traffickers; but remember that "human trafficking busts" that feature in the media like the arrested couple here, are invariably just tiny drops in the ocean and never get near the more sophisticated (in terms of techniques/programming/etc) "elite" networks (as I've gone into many times before they are have historically always been the driving force behind the slave trade, I will continue to drive home this point). Daily Mail article source.

Young women and girls were subjected to bizarre rituals to scare them into a life of prostitution, a court heard today.
Some were shoved into coffins and witnessed chicken slaughter before they were trafficked from Nigeria and coerced into a large and lucrative prostitution ring run by a married couple.
Irishman Thomas Carroll, 48, and his South African wife Shamiela Clark, 32, ran a complex and organised prostitution business in Ireland, which earned more than one million euros in one year, Cardiff Crown Court was told.

Heartless: Thomas Carroll, left and Shamiela Clark ran a prostitution business in Ireland, trafficking women from Africa and Latin America

Clark, who went by the name of Carmen, ran a 'call centre' where she co-ordinated the brothels and took calls from clients, organised accommodation and placed adverts in newspapers, the court heard.
Robert Davies, prosecuting, said the business used foreign sex workers 'so they would not have homes to go to at night'.
Most of the young women and girls, one aged just 15, came from South America and Nigeria, with many not knowing they would have to work as prostitutes to pay off the huge debts they were told they owed their traffickers.
Women from Nigeria underwent 'terrifying and humiliating' rituals involving menstrual blood, killing chickens and being pushed into a coffin 'to put the fear of death in them', Judge Neil Bidder was told.
When many women, who were not trafficked by the defendants, arrived at different locations around Northern Ireland and the Republic of Ireland, they believed they would find work as hairdressers or seamstresses.
Instead they were sent to a rented apartment and put to work as prostitutes, Mr Davies said.
The 15-year-old girl was handed condoms, lingerie and a tube of cream and left to await instructions.
The women were telephoned by Clark who would tell them when to expect their first client. She also told them the rates and the rules of the brothel.
'They were cynically catapulted into a miserable existence and exploited,' Mr Davies said.
'They must have felt highly disorientated and frightened by their new life working as a working girl, particularly given the regime that was operating.'
Other prostitutes were recruited through advertisements on the internet and in newspapers, the court was told.
Mr Davies said: 'Women were forced to move between apartments, being run as brothels, on either side of the Irish border.
'Accounts are disturbing and force the conclusion that most of the women were driven to it by desperate personal circumstances or coerced by threats from others into selling themselves."
Carroll, of Castlemartin Barracks, Pembroke, South Wales, and Clark, of Gateway Lodge, Pembroke, both pleaded guilty to conspiracy to control prostitution for gain and conspiracy to money launder.
They were joined in the dock for sentencing by Carroll's daughter, Toma Carroll, 26, who has pleaded guilty to conspiracy to money launder.
The court heard the prostitutes, who charged 260 euros for an hour and 160 euros for half an hour, were told to pay their earnings into her bank account so that she could then move the money into an account that could be accessed by Carroll.
The court heard that from 2002 increasing amounts of money were deposited into Miss Carroll's bank account. In 2006 111,000 euros were deposited, in 2007 1.13 million euros and in 2008 500,000 euros had been deposited by September.

The Luciferian Christina

2010-01-31T12:54:00.000-08:00

Quick post, I came across this photo of Christina Aguilera (click for her previous posts/photos) in a Luciferian black magick scene, with a ritual pentagram drawn on the ground and each point/element has a black candle on it. The scene, at the very least resonates with themes of Satanic ritual abuse.

Disney Mouseketeers are predominantly victims of Monarch (trauma-based mind control) programming often involving "Satanic" ritual abuse, this set of images is quite indicative of that I feel. Note the battered and burned doll on the floor which is a standard motif for childhood abuse, Christina's father Fausto's abuse and a sociopathic obsession with control is pretty well known (see this post for some specifics she can recall), a typical Monarch military father (whose name, meaning 'luck' in Italian, reminds me of Goethe's Faust who allied himself with the Devil) who traveled to military bases with his family, eventually leaving them when she was still young. By age 8 they already had her appearing on TV shows singing sexually suggestive songs which is not as blatant as her own 100% sexual euphemism debut song "Genie in the Bottle" (Britney's debut of course was also entirely suggestive), singing the 'Star-Spangled Banner' to testosterone-filled stadiums and in that pentagram-centric 'Star Search' show, in which Britney also appeared before they joined the Mickey Mouse Club (posted on it a lot in Britney posts).

Note her occult pendant, the crescent moon with three pentagrams inside it (notice the same motifs, crescent moons and pentagram symbolism on Magician/Wizard Mickey's conical hat), skull and bones brooch (also wearing a ruby ring [second image below] associated with sexual programming, and a ruby drops necklace symbolizing blood [drops]). Note the black cat, overtly for the standard witch cliché (and it's cultural association with the devil and witches) but more to symbolize her sex kitten programming. Spiders are another common MK motif (all of these kinds of symbols make for good triggers) because of spider tortures' effectiveness (victims describe being trapped in a box with spiders dropped in with them and such) and other facets of the spider are useful for programming (i.e. the spider web imagery is a good template for internal structuring), her red and black clothing may also be an allusion to the Black Widow.

On the other doll (symbolically under her foot/trampled on) note the position of the knife on it's stomach, all very symbolic of ritual abuse (and showing literally how they are used in MK, as the child is emotionally attached to the doll, giving it a personality and whatnot, so it can be used in multiple ways to emotionally traumatize the victim to create splits/personalities). What is that bloody thing above, it looks like a skinned goat head or something? There also appears to be an animal skull (below Minnie Witch photo), possibly a goat though half is cut off. A practicing occultist reader could probably describe the purpose of the jars and whatnot. Included a loosely related image of Christina at Disneyland with a Minnie Mouse Witch (+ sunflowers).

Note the red and black coloured clothing (black/red/white common colour scheme used by occultists such as the Nazi establishment, the red associated with the occult obsession with pure genes/bloodline, black evil/darkness, white light for duality). Click one of the above images where you can see that one of Christina's Hebrew tattoos is on show, it is unlikely that she wasn't posed specifically and ritualistically to reveal the Hebrew letters 'Yud' (Y) and 'Bet' (B) to add a bit of Kabbalah magick to the shoot's (metaphorical) cauldron.

These Hebrew letters are described in the press as representing her husband, currently her long-term handler, Jewish music executive Jordan Bratman's initials, with Spanish words surrounding it reading "I love you always" (a permanent declaration of eternal devotion to the handler). Apparently Roman Catholic raised, she was married in a Jewish ceremony and their son Max Liron Bratman has been circumcised, the bris ceremony was decorated with inflatable penises/phalli (as if the traumatic genital mutilation [however you choose to rationalize it, that's what it is] ritual ceremony wasn't messed up enough).

Note Jordan's Mickey Mouse skull/death t-shirt with Christina, one of the products of Walt Disney Company's cult (in terms of who runs it) of death and perversion. Christina has even been branded with a Walt Disney's Mickey Mouse ears tattoo, in a fitting location (for Disney) below her bikini line (cannot find any pictures, info from Vanishing Tattoo).

The other Hebrew tattoo, below on the small of her back (AKA her 'tramp stamp' as it is known) comes from the symbolic Song of Solomon (important to Kabbalists) 6:3, reading 'I am to my beloved as my beloved is to me.' followed by Jordan Bratman's initials JB (Victoria Beckham has a quote from the same part of the Song of Solomon tattooed down the back of her neck/backbone [this positioning is clearly symbolic, associated with the Tree of Life, see Fashion's Gnosis for details] Britney also had a Hebrew tattoo of a name for God).

The title of this post is a play on words for the 'Luciferian Christ' (Christina/Christian obviously meaning 'Follower of Christ' which is pretty ironic [it is how they think, their sense of humor I feel]), in the same set (taken by Judson Baker in 2005 for Blender magazine, whose split word motif I have noted before, see the magazine cover further down) Christina is photographed with motifs associated with Jesus Christ namely crucifixes. Note all the 'light' symbolism wearing white, with a silver crucifix (and a ruby crucifix necklace). Same again below with the sun/light coming from behind the clouds behind her head (like Jesus, the light/sun of God, he is often portrayed with the sun behind his head).

A bit of Baphomet posing (as above so below) below with the "Holy Spirit" dove (on the 'as above', fitting with the symbolic pose).

Continuing the set below, as the dualistic opposite of the above, dark themes as opposed to light. Speaking of duality, her next album was, at one point going to be called 'Light and Darkness' but seems to have changed to 'Bionic' (more associated with mind control as it suggests dehumanization, body parts replaced or augmented with tech, turning to a cyborg/robot MK theme), there has been speculation that this video is part of viral advertising for it but am reluctant to embed it until it is confirmed one way or the other. Note the skull necklace, blood red/scarlet outfit and the sun's light attempting to break through the dark storm clouds gathering behind her. The red ribbon coiled round her wrist reminds me and is probably symbolic of the Kabbalistic Tefillin.

Note the black crusader/templar-like cross (and the ironic statements about her being different from other "fake" artists like Britney whose system does not appear to be as structurally sound [so to speak] as Christina's system).

Citizen K photo shoot from last year, who to me looks quite a bit like Kabbalistic prima-Monarch witch Madonna in this set (note black/white symbolism above and the mannequins).

A symbolic photo below from one of her earlier shoots below which I thought was poignant enough to finish with. Update on my current posting situation, I've been feeling increasingly unsure of what to post on (there is no shortage of subjects to choose from though, which is part of the problem), I spent a long time on one then decided to start a Mariah Carey post, so that should be up in the next few days and return to the one I was working on.

Fashion's Gnosis

2010-01-22T09:51:00.000-08:00

Whilst I take my time with other posts (apologiez for the delay and I realize there are other things people would rather I post on too, I will try to get to them), here's another fashion photography post for you to chew on for the time being. Kicking things off with some recent shoots from the ever illuminating photographer Antonella Arismendi (check her blog to see her interests and the context for the symbolic/mystical photography). The first set is called 'Black Celebration', hence the Baphomet (ram/goat skull, the bull skull [I think it is] I usually regard as a Baphomet invocation but could be Moloch) and black themes ('celebration of evil', also some black/white duality [the guy's trousers + other clothing, the girl's black lipstick, light hair/dark hair etc], mirror duality in the video and a few other things in the set).

Next up is 'Gnosis' (spiritual enlightenment/knowledge; non-ignorant Freemasons, Hermetics, Theosophists etc are practicing brands of Gnosticism), the esoteric symbolism covering the male model representing the 'gnosis'; the spiritual knowledge/enlightenment contained in the gnostic who has attained it. As well as all the usual "Illuminati" symbolism (eye in pyramid, hand of Fatima/Hamsa), their infamous phrase is also (among others) painted on him 'Novus Ordo Seclorum' (New Order of the Ages, the Masonic/Illuminism symbolic seal on the dollar bill with the motto celebrating the new "enlightened/illuminated" Masonic Order that took control of America). The model wears a symbolic mask (black with silver chains + silver pyramid shapes between the eyes) and does various symbolic poses.

2012 is another interest of the photographer which you can see written on the model above, as well as the ancient Sumerian Gods (or the alien creators and slave-masters of humanity, set to return in 2012... or not) the Anunnaki. Obviously there is a lot more there but most is hard to make out (some Kabbalah numerology and whatnot).

Various ritualistic poses are used which most will be familiar with, like the Illuminism symbolic triangle below.

Note the accurate depiction of the Kabbalistic Tree of Life, which has been covered in previous posts (also in Antonella's previous shoots there are more Kabbalistic themes in terms of spiritual enlightenment/transcendence, like the Merkabah). Note the symbolic positioning of the central pillar over the spine, the middle pillar representing balance/order in the dualistic universe and our earthly reality (the sephirot Tiferet [mercy, glory, beauty; associated with the spine] is positioned in the middle of the tree, just below and in between Din [overpowering/judgement] and Hesed [kindness/compassion] which are considered opposites that Tiferet links/balances, Hesed being male, Din female). So this probably has a meditative enlightenment meaning also (based on her Merkabah shoot also), hence the symbolic reverse prayer pose (try and do that, impossible!).

Note more masks, with added bunny ears (/horns) giving a Nazi style salute below. Note the crucifix, you can just about make some Hebrew and Hindu Sanskrit (enlightenment, om meditation).

'Age of Aquarius' is the last set I'm covering of Antonella's work here, note all the light worship/Illuminism, including the white pyramids (symbolizing light, the Gnostic trinity, illuminated pyramids). Set in a church for added significance, I think the message being that the Age of Pisces is coming to an end (the Christian establishment love their vesica pisces shaped stuff like in architecture [among other symbolic archways and whatnot], the "Jesus Fish" and such) replaced by the Age of Aquarius in which (from what I understand) the archaic dogmatic religions of the Piscean age make way for more enlightened belief systems and people see what is actually going on in the world. The photographer Antonella Arismendi regards 2012 as being the beginning of the Age of Aquarius (she links to a playlist on the right of the page accompanying the set), though astrology, 2012 and things of that nature are not things I would like to go into they are interesting.

That analysis was quite non-conspiratorial so to bring things back to the higher end of the fashion industry where the work is less overt but more suggestive and hidden (rather than the 'in your face' esoteric themes which pervade Antonella's work), Victoria's Secret recently had a spread in GQ magazine with a Baphomet goat skull (note the American flag boots by the skull) + usual suggestiveness with the model (Lindsay Ellingson) holding the 'gun' (phallus) up to her mouth (I think some people think I have some massive problem with the stuff and the people I write about, that I'm some prude who will not listen, watch or enjoy something just because it has suggestive, occult or MK themes which couldn't be further from the truth).

More of the usual suggestiveness with one of those big (perhaps to make her appear small, like a child?) 'lollipops'.

Victoria's Secret models are 'The Most Dangerous Game'. But in all seriousness (should probably cut out the dark MK humor), usual dehumanization (antlers, on knees) and phallic symbolism (shotgun, hunting/killing/dominating the animal). Sex-kitten programming below and showing the theme of the shoot, they will often use recent popular movies (Where the Wild Things Are which itself contains numerous MK dehumanization and dissociation references) as a means to use themes of dehumanization and the like. Note the crawling and drinking milk through a phallic straw which is all obviously suggestive and relevant to kitten alter programming.

The most recent Victoria's Secret fashion show was full of it's usual dehumanization themes, starting with the sexy robots (seen in the background of above pic) that start the show off with the Black Eyed Peas (here is a good video detailing these themes). Note the giant 'V' shaped catwalk (for Victoria obviously but is clearly also used suggestively), each model walks to the bottom of the V.

It seems obvious and common sense that Alessandra Ambrosio (AA 11, Aless/Alice, Ambrosio like ambrosia, food of the gods) was instructed to hold her arms up in such a way, matching the top two corners of the (incomplete missing the bottom corner completed by the bottom half of her body, but clearly suggestive of an) inverted pentagram (a blazing star also, the pink/red fabric symbolizing fire/flames, all very Luciferian). "Ambrósio was just eight years old when she decided that she wanted to be a model, after seeing a picture of top covergirl Karen Mulder in a magazine: "I wanted to be like her", she recalls." Showing the influence these models have over the young, a pretty messed up cycle (this may just be an intentional Monarch slave nod from her handlers though), Alessandra had cosmetic surgery at age 11 to have her ears pinned back resulting in complications. You will recall Karen Mulder, one of the first Victoria's Secret 'Angels' came out in 2001 revealing that she and other supermodels were essentially "elite" sex slaves used by "Elite Model Management" executives and other members of the global elite (click for detailed analysis).

'Operation Miranda' is still in play it seems (should I cut out the dark humor?), they couldn't resist sticking a butterfly (+ a dragonfly) on MK Miranda Kerr, some of the angel/butterfly wings costumes were based on clock mechanism (symbolizing their lost time and internal mechanism/system).

One of the parts (a jungle themed part) of the show culminated in a myriad of butterflies being shown projected onto the background.

In 2007 their VS fashion show displayed mind control symbolism with the black/white hypnotic spiral background domineering over the dissociative models (+ the strobe lighting must affect them) who are always far more lively in VS shows than others (they are told exactly how to act though before going on the catwalk). All seeing eyes are shown blinking on the screen as the hypnotic spiral fades out (it comes back later distorted). It looks to be based on Walt Disney's buddy Salvador Dali's surrealist art, I posted the picture of Adriana Lima from this show in a post a while back.

I recorded the above 'Agent Provocateur' (please click to see their obviously conscious use of occult symbolism such as this 'Season of the Witch', included better quality image below and their 'New World Order' etc) event off the TV a while back, with my crappy digital camera so the quality is not good but you can make out what is going on (I looked for pictures and video of it online but found virtually none). Essentially it is a theatrical/ritualistic fashion lingerie show with the models playing various parts (there's a nymph/green fairy or something near the start, a hood wearing witch type figure) in 2009 in Vienna, Austria. I think it may have been themed after A Midsummer Night's Dream (it's pagan/ritualistic themes are very popular for these types of things, reminding me of Playboy's Midsummer Night's Dream masquerade), though the model dressed as a bird kept in a human-size bird cage trapped by a dominatrix style guardian doesn't exactly fit with that. Anyway, a male Pan/Dionysus (or Puck) makes an appearance near the end and seems to get the bride (who decadently feeds him) to applause from the audience (the performers line up in a pyramid shape also) bringing this Dionysian ritual to a close.

To finish off this post, tool of the "elite" blue bloods, British fashion designer Alexander McQueen (again click for more relevant info on the occult in fashion, McQueen pictured above with Prince Charles who presented him with a 'Designer of the Year' award in 2001, but that is more about saying "you're one of us now, welcome to the club" than for any genuine achievement) teamed up with British photographer Nick Knight (some of his stuff is also in that linked McQueen post) for a campaign producing this photo with model Raquel Zimmermann practically suffocated by the snakes on and coiled around her (camouflaged by a multiple snake print body suit/second skin as if she herself had become a snake). Serpent photoshoots are always good for some psycho-sexual and esoteric symbolism, note McQueen's hooves-like shoes (reptile/snake print) she is wearing (seen in Lady GaGa's 'Bad Romance', by the way it's worth checking out Luciferian Mannequin Lily Donaldson post for newcomers, which has some of McQueens designs).

His most recent show from Milan fashion week is just as dark with Skull and Bones as the primary focus, called 'An Bailitheoir Cnámh' meaning 'The Bone Collector' in Gaelic. With piles of skulls and bones (like in an old catacombs) as the main motif (it's not really worth watching it all so haven't embedded, watch here).

To finish, here is a shoot from Vogue Paris February 2010 which I am posting as it features some of McQueen's designs such as the owl dress below (hopefully most will understand the significance/symbolism of the owl). Reptiles and death are in fashion at the moment it seems... I wonder why! The model is Anja Rubik, shot by photography duo Claudia Knoepfel and Stefan Indlekofer. I'll look to pick up the pace with posts (suggestions/tips are always welcome, though I need some way of organizing them all so I don't lose track of good ones in mail clutter).

UAE Royal Family Member Sheikh Issa Acquitted of Torture Despite Video

2010-01-11T10:11:00.000-08:00

I thought this was a pretty good illustration of the sociopathic mentality of some of these royal families who get off on torturing others (he ordered the video be made because he "liked to watch the torture sessions later", "At one point, Issa tells the cameraman to get a close-up. "Get closer. Get closer. Get closer. Let his suffering show,"", showing he, like many of his "elite" counterparts are sociopathic sexual sadists, I'm sure he has amassed many similar videos of him abusing slaves and other unfortunates), and the global establishment's willingness to allow them to continue torturing/abusing with impunity. The story is a bit old now but he was just yesterday acquitted of any wrong doing so I thought it was worth posting quickly. Sheikh Issa bin Zayed al Nahayan is the son of the late President of the UAE, the half brother of Manchester City owner Mansour bin Zayed Al Nahyan, brother of current President of the UAE Khalifa bin Zayed Al Nahyan and brother of the Crown Prince of Abu Dhabi Mohammed bin Zayed Al Nahyan (pictured below with the sociopathic Arabic "elite" royal families' best buddies in America, the Bush family's GWB [the Bushes are known to be just as sadistic in their abuse of slaves]).

Bush with the sadist Sheikh Issa's (below) brother Crown Prince of Abu Dhabi Mohammed bin Zayed Al Nahyran.

Apparently they somehow (obviously they control the UAE court so it's hardly surprising) successfully claimed he was drugged and was therefore unaware of his actions, when most people are drugged they don't immediately think, "This guy overcharged me for fertilizer! Let's make him eat sand, burn his balls, fire bullets at him, electroshock his anus with a cattle-prod, run over his legs with a car and rape him!". It doesn't make much sense but they can and have been getting away with everything, in particular buying and selling slaves (who do you think those cattle-prods are primarily used on, probably not cattle; well a different kind of cattle they would consider them as) for at least centuries. The Sheik's handlers may have drugged him for this particular incident but it is obviously not the first nor the last time he has done something like this as it appears to come completely natural to him.

Guardian article from earlier in 2009:

The video is especially shocking because it also shows a man in police uniform helping to tie up the victim and hold him down in the middle of the desert. At the start of the torture session, which is believed to have happened some time before 2005, Issa stuffs sand in the victim's mouth and fires a machine gun into the sand around him as the man screams helplessly.
At one point, Issa tells the cameraman to get a close-up. "Get closer. Get closer. Get closer. Let his suffering show," the sheikh says.
Later the sheikh beats the man with a wooden plank with a nail protruding from it, and pours salt in the bloody wounds left by his blows. He also inserts an electric cattle prod in the man's anus and turns it on, and pours lighter fluid over the man's testicles, which he then sets alight. Finally, the man is held down in the sand and a Mercedes is driven over him. The sound of bones breaking can be clearly heard.
The victim, an Afghan grain merchant called Mohammed Shah Poor, apparently survived the experience, because the government later justified taking no action against the sheikh by saying the matter had been settled privately between the two men and each had agreed not to press charges against the other.
Another of Issa's brothers is the interior minister. Despite one police officer helping to carry out the torture, part of the UAE government's statement on the matter said: "All rules, policies and procedures were followed correctly by the police department."
The tape was smuggled out of the UAE by US citizen and Houston businessman Bassam Nabulsi, a former business partner of Issa. Nabulsi claimed he himself was tortured in the UAE after refusing to hand over the videotapes after falling out with the sheikh.
Nabulsi claims Issa ordered Nabulsi's brother to record the torture scene in order to watch it later at his own leisure. Nabulsi is now suing in America for the alleged mistreatment he received.
But the story does not end there. Nabulsi credits US embassy staff with keeping him alive while in prison, but he also says he brought the existence of the torture tape - and the collusion of the police - to the US's attention to little effect, including to a US official assigned to train UAE police.

Nicolas Cage's Hit Girls

2010-01-09T08:21:00.000-08:00

Nicolas Cage, of the Coppola Hollywood "elite" clan has appeared in countless films as extremely symbolic roles (National Treasure movies, Knowing, Wicker Man etc) but this is not an extended post on those (I may yet get to them) roles. Nicolas Cage's latest comic book adaptation is 'Kick-Ass' and I feel is pushing it a bit in terms of what they can get away with when using young children in films (not that they haven't done much worse), watch these two trailers to see what I am talking about.

The child playing Mindy Macready with her "super hero" alter-ego Hit Girl, is Chloe Moretz and was only 11 years old at the time of filming. The alter name 'Hit Girl' works on two levels, obviously it references a Hit Man (reminds me of Leon a little); but I feel it is also referencing child abuse, as in literally a hit girl, a girl who has been hit (and I think the films themes of childhood violence, sexually violent language from children ["c*nt"], extra-long 'silencer' [+ other suggestive themes/imagery], a child retreating/dissociating into a fantasy world where they are a super hero, purple/mask etc).

She often attends film premieres, these are the kinds of sexualized poses Hollywood has their kid stars constantly doing, baited on by the paparazzi ("blow us a kiss doll" etc).

"Peace"

Predatory photographers in action.

At the '500 Days of Summer' premiere in the occult Egyptian Theatre in Hollywood.

The protagonist is Kick-Ass played by Aaron Johnson, pictured below with the wife of depressed (his attempt at smiling always looks painful) idiot PM Gordon Brown, whose purpose is to appear ridiculous and allow the elite's man David Cameron to become Prime Minister in the forthcoming election, Sarah Brown at a premiere of the film where he played John Lennon in 'Nowhere Boy' directed by his now fiance, the much older (23 years, he is 19 at present) Sam Taylor-Wood.

Cage plays in 'Kick-Ass', Damon Macready (Mindy's father) with his superhero alter-ego... "Big Daddy".

The opening image of this post comes from 'A Night of the Butterfly' Chrysalis charity event in 2003, note the masked Monarchs (why choose monarch butterflies specifically? Note the duality symbolism in the black outfits/bowler hats and white wigs/belts [they have a lot of banks as supporters, it's sponsors are the kinds of people; banks, movie studios, etc, who use Monarch slaves, hence this little annual celebratory celebrity bash]). Chrysalis is a generic charity that helps the disadvantaged, chrysalis meaning the butterfly pupa in a cocoon (transformation/metamorphosis). Evil hides in the light, the most evil people on the planet have probably given the most to charity. Charities like this allow their corporate sponsors like Disney etc to appear less evil while taking advantage of the easily manipulated, disadvantaged people the charity helps, which I'm sure it has as most people working in it will be genuinely helping the homeless. But this cataloging of people like the homeless is useful for potential Monarch programming (as they would know who to target; i.e. who would be missed, does this heroin addict have children we can exploit after they OD etc). Cage is also pictured with the Monarchs and Brett Ratner (from a well-off Zionist family, he recently directed Natalie Portman's New York, I Love You movie).

Nicolas Cage greeting intentionally humorous puppet George W Bush at the U.S. Capitol in 2001, note Scientology enslaved Lisa Marie Presley's head in the bottom right, they were married for a short period. He's also been married to Patricia Arquette and is currently in a long term marriage with Alice Kim Cage (Nicolas' middle name is also Kim by the way), they named their son Kal-El after Superman (taking the whole comic book freak thing a little too far... but more probably to do with the Hebrew meaning of the name "Voice of God" as he is into the occult).

Monarch Miley (with her usual programmed/fixed smile) between Cage and Hollywood bigwig Jerry Bruckheimer (who was a member of "America's first Jewish Fraternity" Zeta Beta Tau, other notables include Jack Warner and a Disney President, US Senators and the like) at some Disney event (remember those Masonic propaganda pieces, the National Treasure movies were Disney products, like Miley Cyrus).

Jerry and Nicolas' latest Disney project is the occult symbolic 'The Sorcerer's Apprentice' where Nicolas plays Balthazar Blake (Balthazar being a Babylonian King, and one of the three magi/wise men to visit Jesus, meaning 'Baal protect the King', Baal appropriately means 'Master' or 'Lord', the Phoenician name for God, and don't forget the demon Baal; Blake is probably a William Blake reference) the sorcerer, an occult/magickal practitioner. Note the Masonic phallic structure that is the Chrysler's Building ritualistic usage in yet another occult themed Disney film.

While not Disney (Warner etc are all in on it of course), in the allegorical kids film 'The Ant Bully' he voiced the Wizard/Sorcerer Zoc (Oz), note on his character's promo poster "The Mix Master".

The film contains a few pertinent references including an eye in the pyramid subliminal (like the one in the above poster below the title, with the eye at the top and the lines symbolizing light coming from it), and below (props to the Freemasonry in movies site) is Lucas' (remember Lucas means light) grandmother who is obsessed with conspiracy theories, for no apparent reason (other than her interest in CT) the filmmakers decided to reveal a Masonic compass and square on her chair when she moved (note the torchlight).

Here is the scene from Disney's ritualistic Fantasia, 'The Sorcerer's Apprentice' which the live-action Disney film is apparently based on. Note the sorcerer (who is probably supposed to represent Moses, based on the parting of the water at 9:26 which someone joked about in the video's comments, note the light emanating from the doorway also) conjuring a butterfly from a skull, the apprentice (Mickey Mouse) takes the master/sorcerer's hat but is overwhelmed by the magick's power. Highly symbolic/ritualistic scenes feature like the 'dream' sequence where he controls the stars/cosmos/clouds above and the waves below, as above so below (+ his dream affects his reality). Infusing an inanimate object with energy/a soul/life is very occult (and has some dehumanization programming usages here also, as the mindless broom is essentially a slave for Mickey Mouse), especially so with the object being a phallic broomstick. At the end note the step pyramid the conductor Leopold Stokowski is standing on, and obviously the sun symbolism that silhouettes him, Mickey Mouse and the step pyramid.

The work it was based on is Johann Wolfgang Von Goethe's (famous for occult themed Faust) poem 'The Sorcerer's Apprentice', Goethe was a Freemason (achieved First Degree on June 23 1780), his most famous Masonic poems are 'Masonic Shield' and 'The Hidden Meaning'. I've included an old illustration for the poem above (with standard occult symbolism). Goethe is pictured below, giving the Masonic hidden hand (or maybe he was just reaching for something in his pocket the entire time it took to create the portrait ;p). "In his dying moments, his last words were "More Light!"". He was also a member of the Bavarian Illuminati. A man truly after Walt's heart then ;)

Returning to Nicolas Cage's current crop of movies, his most recent overtly occult offing has him playing some kind of Templar Knight in 'Season of the Witch' (lots of self explanatory occult symbolism like the pentagrams and some arches/pillars, usual darkness/light suggestions, masks, dissociative "witches" etc). His roles are typically ritualistic and follow a pattern, which has a lot to do with his well-connected Coppola family.

Meet Cage's son, Weston Coppola Cage who is obviously just as into the occult as his father and is part of a death metal band 'Eyes of Nocturn'. They also have a mutual love for comic books as they wrote an occult themed graphic novel together called 'Voodoo Child' (this is relatively humorous).

Note upside down crosses, Baphomet pentagram patch (I think above on his jacket) and a Baphomet pentagram and inverted cross pendant.

He is the product of Nicolas Cage and Christina Fulton's (above) short-lived relationship, Christina appears to be a Monarch. Evidenced by her probably most prominent starring role in 'Lucinda's Spell' (note the 69 sex magick/numerology), Lucinda being a not-so-subtle reference Lucifer (Lucinda means light), she is the "New Orleans Sex Witch", with 'sex magick' as the prevailing theme. "Sex is Magic(k)" is the film's tagline. A quote from an amazon review about Christina's role as the sex witch Lucinda: "With more costume changes than Cher and more characters in her closet than Tracey Ullman, Lucinda plays everybody's fantasy with a breathless vitality, sliding from one persona to the next" illustrating the multiple personality themes associated with this film and Christina (more Monarch themes as the film is primarily about a descendant of Merlin who "must find a woman pure and magical enough to conceive a child to carry on the ancient and powerful bloodline". You can watch the entire thing on imdb here (I'm sure you can pick up on some of the references/symbolism, occult and MK [i.e. the caged parrot/bird with Christina]), note he has to do find the woman by the Eve of Beltane (this is the kind of ritualistic choice of conception date used in occult cult Monarch families).

In the above trailer, the actual url's video (see here) messes up for me, the sound does not work and for some reason it shows you the below blood ritual magick scene below which I cannot see in the same video when embedded above. I think I heard Jimmy Hendrix's 'Voodoo Child' in the trailer, interesting that she played the sex witch of New Orleans and the Cages set their comic 'Voodoo Child' in New Orleans (though probably a coincidence) after Hurricane Katrina.

Monarch motifs are all over her website, her clothing line 'Fulcage' has as it's symbol a Monarch butterfly motif and features heavily all over her website (check out the rest of her collection, the little dog clothing is priceless! it's all exactly what you'd expect, skulls, skull and bones Monarchs/butterflies, crowns etc).

Weston wearing one of their (he is also co-designer) occult designs. Here, in reference to his and his mother's fashion line he describes how he [paraphrased, some of it is inaudible] "studies mythology and symbolism so I like to incorporate that into some of our..[stuff/designs]".

Note the butterfly cage in this fashion launch event (again this is another motif used with her fashion line, it says above the cage IT ZA FULCAGE). All the usual big cat print and Marilyn Monroe imagery associated with Monarch Presidential model sex-slaves.

Note the "elite" (e inside a triangle), "king" and other suggestive (of their control) corporate names/logos. Nothing remotely Oedipal going on here by the way.

Nicolas Cage's has had a lot of financial problems as of late, a lot of suing and counter-suing has taken place. In one by Christina, she claimed that Cage put her through "mental, physical and emotional abuse" which would not be very surprising if true.

Returning to Nicolas Cage, I can remember a few years back on a plane I saw 'Ghost Rider' (also starring Eva Mendes), another comic book adaptation that wasn't particularly engaging but did contain a lot of occult symbolism and demonology, even explicit references to the Qabalah (Israel Regardie's 'Tree of Life' I remember noting as I had recently acquired it at the time, though still not read). And the theme of being enslaved for the rest of his life by Lucifer/Satan (or whoever, I can't remember specifically) after making a deal with it may resonate with his own life (he also has those flaming chains, in most of his films he will in some way or another be a 'light bearer' with a torch or whatever), he has the Luciferian flaming Ghost Rider skull tattooed to him (among other tattoos like apparently a lizard wearing a top hat but I can't find pictures worth including here).

He may (or not) be programmed anyway, choosing the name 'Cage' may suggest his 'caged' existence (I think the above pinned butterflies image was posted on an Icke thread or somewhere but I can't find it now, hard to keep track of things so apologiez if I repost anything).

The film 'Face/Off' was on TV the other night and I turned on just as the face transplant scene was occurring, there are lots of expectant mirror scenes (one in particular where they face off looking at themselves in the mirror and they each shoot and shatter the mirror), losing your identity/self/personality (and assuming another) is also a theme and of course electroshock and other programming themes feature also. John Travolta (remember he's a Scientology cultist like Nic's ex Lisa Marie Presley) and Nicolas Cage swap faces, they each play both personalities in the film (I posted the MK symbolic [half face/split mind/personality, as their personalities switch in terms of the actor portraying them] posters with some additional thoughts on Cage in that linked Travolta post after the tragic death of his son).

I thought this was quote from him was interesting and true about acting: “to be a good actor you have to be something like a criminal, to be willing to break the rules to strive for something new… There’s a fine line between the Method actor and the schizophrenic.” Schizophrenia literally translates (from the Greek) as 'split mind' but is quite different from multiple personality (dissociative identities; method actors will "dissociate into character" [with self-induced programming methods of practicing mannerisms/ticks/personality traits in the mirror, shaping the "alter"]) and they are often confused (I'm not saying he confused it there as obviously losing touch with reality is a big part of it too). I did not realize I had accidentally checked 'do not allow, show existing' in the comments settings for this post so thanks to the commenter who mentioned that, it was not intentional and now feel free to comment.

The Final Satanic Celebrity Big Brother

2010-01-04T09:20:00.000-08:00

The final year of the monstrosity that is Big Brother should be a cause for celebration. The Illuminist media controllers certainly are using it to celebrate their Luciferian beliefs through overt ritual and symbolism, it's the last year so why wouldn't they go all out with their symbolism? The show is very tongue in cheek so should not be taken overly seriously, admittedly I found the whole thing a little amusing. If you speak to the average Big Brother viewer in the UK the majority of them are not even aware of where the term 'Big Brother' originates, George Orwell's 1984 surveillance society which we are well on the way too (thanks mainly due to 'social networking' most recently but obviously CCTV and the like). Big Brother's All Seeing Eye is very much associated with Freemasonic/Illuminist eye symbolism (this year in particular with it made of fire/light, and reflected on the water, as above so below in the promo), the company who makes the Big Brother shows 'Endemol', their logo is also an eye. The show's purpose has probably been to desensitize the viewer, trivializing the concept of being under total surveillance as a cool thing (and to give the masses the irrational hope/"dream"/distraction of becoming a celebrity). I posted on last years CBB which used the shattered glass/mind, porcelain masks and other mind control symbolic motifs worth checking out. I should have a more substantive post up in the next few days by the way.

The theme this year was Hell and Luciferianism, with it's cryptic phrase this year being 'Hell Lies in Others'. Satanic/Luciferian motifs feature everywhere throughout the house, a couple of examples here such as the Baphomet ram/goat skulls.

Each of the 'celebs' walk on the eye stage through the frenzied crowd along with the paparazzi's flashing lights, initially exiting out of the eye (made to look like the sun when opened as light comes from it), the masked light bearers (more Luciferianism) symbolically move their torch away from the eye then inwards just as the celebrity exits the eye, this is done every time showing it is ritual. I assume that these four (in red/black) represent the 'Four Crown Princes of Hell' described in the Satanic Bible (but may just be standard Luciferian ritual figures). The house is supposed to be Hell, fire is projected onto the outside walls of the house (most will just write the fire off as symbolizing Hell but it is more specifically Luciferian light symbolism I think).

Stephen Baldwin, one of the Baldwin brothers and a "born again evangelical Christian" (which usually [especially if Republican] translates in reality as a closet Satanist or something) enters the house saying the line he had obviously been itching to say, "I plan on being a representation of the light of truth." which is often what Lucifer is viewed as in occult circles (a representation/personification of light, the light bearer, light symbolizing truth/understanding/illumination/etc).

Petrified scary clowns are at the heads of most of the beds in the purple bedroom and the circus theme (the global celebrity "circus") is notable here with the diary room seat made to look like a circus ride (arguably with horns/solar subliminal motifs) and some of those bendy mirrors good for added confusion in mirror programming.

I really don't want to waste any more time on this show than is absolutely necessary so I will not go through the other initiates into the house (most of them have things to post on). But there was one who displayed clear Illuminist/'Illuminati' symbolism and that was 'Lady Sovereign', real name Louise Amanda Harman. In 2005 she apparently auditioned for hip hop's master Illuminist Jay Z and was signed up to Def Jam Records, which explains her adoption of 'their' symbolism. The most flagrant example of her use of this symbolism is her gold eye in the pyramid Illuminati pendant, which as you can see below in these screen caps was obviously intentionally used in the video introducing her.

Another clip they chose to include in her intro video, again obviously for the symbolism was her checkerboard top (going along with her other Illuminist/Freemasonic eye in the pyramid) in the video for 'Love Me or Hates Me'.

She wore the Illuminati symbolic pendant during her ritualistic Luciferian catwalk to Hell, along with a t-shirt featuring a pink triangle/pyramid with Mickey Mouse arms and a face.

The entrance to hell is typically Masonic with the twin pillars and a slight arch (arch motifs are all over the house, some examples below in their first task with them all trapped in Satan's mini) above the cage gate.

Shhh... Don't talk about Illuminati robots. Seriously though her stunted growth (she looks about 15 but is actually 24) is sometimes a symptom of abuse which may suggest her MK.

Some additional images of "Sov".

These few are from her 'I Got You Dancing' video, note typical leopard, crowned skull and bones, eyeball, light/luciferian and some other symbolic stuff (green face paint symbolizing Osiris and whatnot).

Last video I've come across of hers for 'So Human' has some pretty typical Illuminist symbolism with the black/clear(light) triangles, she does the usual covering one eye with the triangle pose, and the tiresome framing of one eye in the pyramid gesture.